{"id":66328,"global_id":"krieger.jhu.edu\/humanities-institute?id=66328","global_id_lineage":["krieger.jhu.edu\/humanities-institute?id=66328","arthist.jhu.edu?id=4510"],"author":"64","status":"publish","date":"2025-10-20 11:50:14","date_utc":"2025-10-20 15:50:14","modified":"2025-11-03 11:07:46","modified_utc":"2025-11-03 16:07:46","url":"https:\/\/krieger.jhu.edu\/humanities-institute\/event\/dark-play-aliza-shvarts\/","rest_url":"https:\/\/krieger.jhu.edu\/humanities-institute\/wp-json\/tribe\/events\/v1\/events\/66328","title":"Dark Play: Aliza Shvarts","description":"
\n\t\t \t\t\t\t\t Performance theorist Richard Schechner describes \u201cdark play\u201d as the condition when the performer knows they are performing, but the audience does not. The term also invokes the \u201cdark arts\u201d or clandestine powers attributed to witches as reproductive criminals: women who, as described by Marxist feminist Silvia Federici, not only often helped others manage their reproductive health, but whose speech\u2014insofar as they possessed the power to cast spells or curses\u2014possessed the power to act. In this artist talk, Aliza Shvarts will discuss the broader arc of her practice, and explore how “dark play” can offer an aesthetic and political strategy to navigate increasing forms of censorship. <\/p>\n
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