{"id":3289,"global_id":"krieger.jhu.edu\/laclxs?id=3289","global_id_lineage":["krieger.jhu.edu\/laclxs?id=3289"],"author":"620","status":"publish","date":"2024-02-12 18:25:33","date_utc":"2024-02-12 23:25:33","modified":"2024-03-11 11:30:21","modified_utc":"2024-03-11 15:30:21","url":"https:\/\/krieger.jhu.edu\/laclxs\/event\/lecture-popcretos-1964-1966-sonic-matters-in-brazilian-concrete-poetry\/","rest_url":"https:\/\/krieger.jhu.edu\/laclxs\/wp-json\/tribe\/events\/v1\/events\/3289","title":"Marcelo Nogueira: Popcretos, 1964-1966 \u2013 Sonic Matters in Brazilian Concrete Poetry","description":"
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Gilman Hall 479<\/p>\n\n\n\n

The Program in Latin American, Caribbean, and Latinx Studies <\/strong>is pleased to welcome Marcelo Nogueira<\/strong>, lecturer in LACLxS and Modern Languages and Literatures, Johns Hopkins University University, for the lecture:<\/p>\n\n\n\n

Popcretos<\/em>, 1964-1966: Sonic Matters in Brazilian Concrete Poetry<\/h2>\n\n\n\n

The lecture investigates the dynamic relationship between sound and visual elements in Brazilian concrete poetry, drawing on sonic and literary theory. Emerging in the mid-1950s, concrete poetry marks a pivotal moment in the constructivist tradition of Latin American poetry and art. It focuses on Augusto de Campos\u2019s Popcretos<\/em>\u00a0series, created in 1964 as a response to that year’s military coup in Brazil. By examining how its engagement with notions of noise and silence establishes a framework through which fragmented language and imagery unfold, it argues that even in the most ostensive visual poems, the auditory emerges as a generative element to explore poetic and political themes.\u00a0<\/p>\n\n\n\n

\"Marcelo<\/figure>\n\n\n\n\n
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