{"id":8935,"date":"2023-11-17T08:52:44","date_gmt":"2023-11-17T13:52:44","guid":{"rendered":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/?page_id=8935"},"modified":"2024-04-30T13:03:46","modified_gmt":"2024-04-30T17:03:46","slug":"french-modern-language-notes","status":"publish","type":"page","link":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/french\/french-modern-language-notes\/","title":{"rendered":"French Modern Language Notes"},"content":{"rendered":"\n

Over a century ago, Modern Language Notes<\/em> (MLN<\/em>) pioneered the introduction of contemporary continental criticism into American scholarship. Its reputation for high standards and excellent quality continues today. Published by the Johns Hopkins University Press, MLN<\/em> puts out five issues each year: four on critical studies in modern languages (the Italian, Hispanic, German and French issues) and one issue of recent work in the field of comparative literature. MLN<\/em> has been the winner of the Council of Editors of Learned Jouranls Phoenix Award.<\/p>\n\n\n\n

Past issues can be consulted at\u00a0Project MUSE<\/a>.<\/p>\n\n\n\n

Submission Guidelines<\/h2>\n\n\n\n

The 2024 French issue of MLN <\/em>invites original contributions, in English or in French, to a special issue entitled \u201cPassage to the Nineteenth Century<\/em>\u201d edited by Daniel Desormeaux in collaboration with the editorial board. We invite authors to explore the theme of \u201cpassage\u201d and its implications in French and Francophone literatures and cultures, in ways that transcend beliefs in the nineteenth century as a homogeneous landscape limned by traditional academic discourses. We encourage transversal, comparative, and global perspectives that engage with particular concepts of passage through literary texts, artistic production, and case-based expressions of historical and cultural norms. We know, for instance, that nineteenth -century French literature was open to broad spaces of Francophone passage: Louisianans, Africans, Quebecers, Asians, Acadians, and West Indians were all actively present at the heart of the Romantic period. Likewise, the concept of passage was integral to some of the major schools of thought and myriad movements that shaped the nineteenth century. Such passages\u2014recognized, neglected, misunderstood, or forgotten\u2014make the nineteenth century a bulwark against historical obsolescence and literary confinement. <\/p>\n\n\n\n

Consistent with the journal\u2019s practice, submissions will be accepted after double-blind review. Authors must follow all provided submission guidelines. The journal does not accept translations, in either language, of previously published work. Full compliance with all deadlines is a requisite for publication.\u00a0<\/p>\n\n\n\n

Manuscripts should be sent as electronic attachments to mlnfrench@jhu.edu<\/a>. Submissions must arrive by January 30 to be considered.<\/strong><\/p>\n\n\n\n

Submission Guidelines for Manuscripts in English<\/h3>
\n

Please submit your article as a Microsoft Word document, saved as .doc rather than as .docx. <\/p>\n\n\n\n

Your manuscript should not exceed 7,000 words, including notes. <\/p>\n\n\n\n

Along with your article, please supply an abstract of 100 or fewer words for the online version of the journal, and a two- or three-sentence note on your institutional affiliation and recent publications for the Contributors section. <\/p>\n\n\n\n

Formatting <\/strong><\/p>\n\n\n\n

    \n
  • Use 10-point Times New Roman. <\/li>\n\n\n\n
  • Format notes as endnotes rather than as footnotes, and number with Arabic numerals (1,2,3,). <\/li>\n\n\n\n
  • Double-space everything, including notes, the table of contents, block quotations, and lists of works cited. <\/li>\n\n\n\n
  • Use the tabulation key rather than the space bar to indent text. <\/li>\n\n\n\n
  • Format the document as US letter size, and set all of the margins (right, left, top and bottom) at 1\u201d. Set text justified on the left and ragged right, rather than justified on both sides. <\/li>\n\n\n\n
  • Indent paragraphs .5\u201d, and do not skip a line between paragraphs except in cases when you want to indicate a section break. <\/li>\n\n\n\n
  • Set off quoted text of more than four lines as a separate, double-spaced block of text indented an additional one inch from the left, with an extra hard return above and below. <\/li>\n\n\n\n
  • Use italics to indicate text that will be italicized. <\/li>\n<\/ul>\n\n\n\n

    Bibliographic references <\/strong><\/p>\n\n\n\n

    Bibliographical references should follow the norms of the eighth edition of the MLA Handbook <\/em>(or the third edition of the MLA Style Manual<\/em>). This style calls for a list of works cited, with parenthetical author\/page references in the text. <\/p>\n\n\n\n

    Images <\/strong><\/p>\n\n\n\n

    Images may be submitted as digital files (.tiff or high quality .jpgs) of at least 300 dpi. Please be sure that you have all obtained all necessary permissions for reproducing images.<\/p>\n<\/div><\/div>\n\n\n\n

    Consignes aux auteurs pour la pr\u00e9paration des manuscrits des articles en fran\u00e7ais\u00a0<\/h3>
    \n

    Veuillez soumettre votre article sous forme de document Microsoft Word, sauvegard\u00e9 en .doc plut\u00f4t qu’en .docx. <\/p>\n\n\n\n

    Votre manuscrit ne doit pas d\u00e9passer 7 000 mots, notes comprises. <\/p>\n\n\n\n

    Avec votre article, vous \u00eates pri\u00e9 de fournir un bref r\u00e9sum\u00e9, en fran\u00e7ais ou en anglais comme vous pr\u00e9f\u00e9rez, de moins de 100 mots ainsi qu\u2019une notice de deux ou trois phrases sur votre affiliation institutionnelle et vos publications r\u00e9centes.<\/p>\n\n\n\n

    Mise en forme <\/strong><\/p>\n\n\n\n

      \n
    • Nous vous prions de suivre les consignes suivantes en ce qui concerne la mise en forme de l\u2019article : <\/li>\n\n\n\n
    • Format de document: US Letter (21,6 cm x 27,9 cm; 8 \u00bd pouces x 11 pouces).  Marges: 2,54 cm de chaque c\u00f4t\u00e9.   <\/li>\n\n\n\n
    • En double interligne partout (dans le texte de l\u2019article, y compris dans les citations, ainsi que dans les notes et la liste des ouvrages cit\u00e9s).  <\/li>\n\n\n\n
    • Police et taille des caract\u00e8res : Times New Roman 10 points. <\/li>\n\n\n\n
    • Utiliser la tabulation pour les alin\u00e9as en d\u00e9but de paragraphe (et non la barre d\u2019espacement). <\/li>\n\n\n\n
    • Ne sauter une ligne \u00e0 la fin d\u2019un paragraphe que dans le cas o\u00f9 il s\u2019agit de marquer le d\u00e9but d\u2019une section <\/li>\n\n\n\n
    • Citations courtes (1, 2 ou 3 lignes): entre guillemets fran\u00e7ais (\u00ab  \u00bb) dans le corps du texte. Citations longues (4 lignes et plus): sans guillemets, isol\u00e9es dans un paragraphe s\u00e9par\u00e9, avec un retrait (indentation) de 1,27 cm (= ,5 pouce) \u00e0 gauche \u00e0 tout le bloc de texte. Tout ajout ou modification dans une citation doit \u00eatre plac\u00e9 entre crochets droits [ ]. Toute coupure (d\u2019un mot ou d\u2019un passage) dans une citation doit \u00eatre signal\u00e9e par cette indication: [\u2026]. <\/li>\n\n\n\n
    • Utiliser les guillemets fran\u00e7ais : \u00ab \u00bb. N\u2019utiliser les guillemets anglais \u201c \u201d qu\u2019\u00e0 l\u2019int\u00e9rieur de citations d\u00e9j\u00e0 entre guillemets. <\/li>\n\n\n\n
    • Accentuer les majuscules. <\/li>\n\n\n\n
    • Utiliser les notes de fin de document, num\u00e9rot\u00e9es avec des chiffres arabes (1,2,3, etc.), plut\u00f4t que les notes de bas de page. Les cr\u00e9er avec la fonction \u00ab Ins\u00e9rer une note de bas de page \u00bb de Word plut\u00f4t que manuellement. Placer l\u2019appel de note avant toute ponctuation et \u00e0 l\u2019int\u00e9rieur des guillemets (s\u2019il y a lieu). Mettre un point \u00e0 la fin de la note.  <\/li>\n<\/ul>\n\n\n\n

      Illustrations <\/strong><\/p>\n\n\n\n

      Fournir les fichiers des illustrations (des pr\u00e9f\u00e9rences, en .tiff ou .jpg) avec une r\u00e9solution d\u2019au moins 300 dpi.  <\/p>\n\n\n\n

      Traitement des r\u00e9f\u00e9rences bibliographiques <\/strong><\/p>\n\n\n\n

      Soit suivre le style MLA (8e \u00e9dition du MLA Handbook) <\/strong>qui pr\u00e9voit des r\u00e9f\u00e9rences courtes entre parenth\u00e8ses dans le texte de l’article comme cela (Dupont 32), accompagn\u00e9es d’une liste des ouvrages cit\u00e9s, soit identifier les sources cit\u00e9es dans les notes de fin<\/strong> d’article en utilisant les formes suivantes : <\/p>\n\n\n\n

      Un livre <\/strong><\/p>\n\n\n\n

      (Premi\u00e8re r\u00e9f\u00e9rence dans une note)  <\/p>\n\n\n\n

      Jacques Derrida, Marges de la philosophie, <\/em>Minuit, 1972, p. 42. (R\u00e9f\u00e9rences ult\u00e9rieures) Derrida, Marges<\/em> p. 42.<\/p>\n\n\n\n

      Article dans une revue: <\/strong><\/p>\n\n\n\n

      (premi\u00e8re r\u00e9f\u00e9rence dans une note)  <\/p>\n\n\n\n

      B\u00e9atrice Pau-Heyri\u00e8s,\u00ab Le march\u00e9 des cercueils apr\u00e8s-guerre 1918\u20131924. \u00bb Revue historique des arm\u00e9es<\/em>, no. <\/p>\n\n\n\n

      224, 2001, pp. 65\u201380.  <\/p>\n\n\n\n

      (R\u00e9f\u00e9rences ult\u00e9rieures) Pau-Heyri\u00e8s,  \u00ab Le march\u00e9 \u00bb. <\/p>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

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