{"id":3757,"date":"2021-01-07T10:17:55","date_gmt":"2021-01-07T15:17:55","guid":{"rendered":"http:\/\/krieger.jhu.edu\/grll\/?post_type=people&p=3757"},"modified":"2024-08-02T10:07:35","modified_gmt":"2024-08-02T14:07:35","slug":"jennifer-gosetti-ferencei","status":"publish","type":"people","link":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/directory\/jennifer-gosetti-ferencei\/","title":{"rendered":"Jennifer Gosetti-Ferencei"},"featured_media":3859,"template":"","role":[10436],"filter":[72],"class_list":["post-3757","people","type-people","status-publish","has-post-thumbnail","hentry","role-aa-faculty","filter-german"],"acf":[],"post_meta_fields":{"_edit_lock":["1722607547:654"],"_edit_last":["654"],"ecpt_people_alpha":["Gosetti-Ferencei"],"ecpt_position":["Professor and William Kurrelmeyer Chair in German, Director of Graduate Studies in German"],"ecpt_phone":["410-516-7509"],"ecpt_fax":["410-516-5358"],"ecpt_email":["jgosett1@jhu.edu"],"ecpt_office":["Gilman 416"],"ecpt_expertise":["Continental Philosophy; Phenomenology; Aesthetics and Philosophy of Literature; Cognitive Literary Theory; Philosophy of Imagination; Modern German Literature and Thought., Literary Ecology and Environmental Studies"],"ecpt_books_cond":["on"],"ecpt_bio":["
Jennifer Gosetti-Ferencei is Professor and Kurrelmeyer Chair in German and Professor in Philosophy at Johns Hopkins University. She is author of seven books, including:\u00a0Imagination: A Very Short Introduction<\/i>\u00a0(Oxford);\u00a0On Being and Becoming: An Existentialist Approach to Life<\/i>\u00a0(Oxford);\u00a0The Life of Imagination: Revealing and Making the World<\/i>\u00a0(Columbia);\u00a0Exotic Spaces in German Modernism<\/i>\u00a0(Oxford);\u00a0The Ecstatic Quotidian: Phenomenological Sightings in Modern Art and Literature<\/i>\u00a0(Penn State);\u00a0Heidegger, H\u00f6lderlin, and the Subject of Poetic Language\u00a0<\/i>(Fordham); and\u00a0After the Palace Burns<\/i>, which won The Paris Review Prize in Poetry.<\/div>\r\n
She earned a DPhil in German and MSt in European Literature from the University of Oxford; MA and PhD in Philosophy from Villanova University; and an MFA in Poetry from Columbia University. In 2023, she was appointed Visiting Fellow at All Souls College, Oxford. At Johns Hopkins, she is the founding organizer of the Environmental Humanities Research Initiative.<\/div>\r\n
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Her\u00a0scholarly interests include phenomenology, existentialism, and other topics in post-Kantian philosophy, aesthetics and the philosophy of literature, cognitive literary theory, poetics, philosophy of imagination, literary modernism, the connections between literature and visual art, literary ecology and the environmental humanities.<\/div>\r\n
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Prof. Gosetti-Ferencei\u2019s work explores the boundaries and connections between philosophy and literature, poetic experience and cognition, and the relevance for ecology of imagination and literary thought. In\u00a0On Being and Becoming: An Existentialist Approach to Life<\/i>\u00a0(Oxford University Press, 2020), Gosetti-Ferencei presents a new interpretation of existentialist thought and literature, exploring, beyond the existentialism of the French phenomenologists, its historical origins in nineteenth century German, Danish, and Russian thought, contributions to existentialism of African-American thinkers, and its relevance for social and environmental challenges of the twenty-first century. Her book\u00a0Imagination: A Very Short Introduction<\/i>\u00a0(Oxford University Press, 2023) presents the history of the philosophy of imagination along with an assessment of its multimodal nature, of its role in cognitive evolution, and of its importance to perception, knowledge, and creativity. Gosetti-Ferencei\u2019s previous book\u00a0The Life of Imagination: Revealing and Making the World<\/i>\u00a0(Columbia University Press, 2018), is grounded in philosophy along with insights drawn from cognitive theory, evolutionary anthropology, aesthetics and literary theory, and offers a new theory of imagination as both emerging from the wider cognitive ecology of our embodied life and engagement with the world, and affording its transformation and transcendence. In contrast to a long tradition of philosophy that sequestered imagination from cognition proper, Gosetti-Ferencei demonstrates how imagination can best be understood as multimodal, shaping our ordinary experience and affording the heightened manifestations of creativity in scientific discovery and artistic and literary creation. Among other accomplishments of the book is the development of an understanding of cognitive play (drawing from Kant, Schiller, Nietzsche, and Husserl), which affords the \u2018situated transcendence\u2019 of creativity, and in so doing both relies upon, and diverges from, the operations of ordinary thinking. This expansive and probing account of imagination demonstrates its reach across human experience and its crucial role in shaping and transforming our relationship to the world. Previous works include\u00a0Exotic Spaces in German Modernism<\/i>\u00a0(Oxford University Press 2011), in which Gosetti-Ferencei illuminates the construction of the \u2018exotic\u2019 in modern German literature and its consequences for the modern self and its relation to a foreign other, sometimes exploiting, otherwise destabilizing, colonialist or Eurocentric assumptions.\u00a0 In this book are engaged the prose works of major German writers including Hofmannsthal, Zweig, Kafka, Thomas Mann, and Brecht, along with lesser-known writers, and the work sets forth the philosophical foundations for modern literary challenges to the self in European modernity. Reflection on the quotidian, or the everyday, in literature, art, and phenomenology comprises the subject of\u00a0The Ecstatic Quotidian: Phenomenological Sightings in Modern Art and Literature\u00a0<\/i>(Pennsylvania State University Press 2007), which won an Outstanding Academic Title award from the American Library Association. Gosetti-Ferencei there demonstrates analogous structures of reflection in phenomenology, modern literature and visual art, in their respective defamiliarizations from everyday experiences in search of the ecstatic. Her work engages the philosophical thought of Nietzsche, Freud, Husserl, Heidegger, Benjamin, Merleau-Ponty and Wittgenstein, along with literary works by Rilke, Proust, Ponge, Sartre and the visual art of Morandi, Twombly, and C\u00e9zanne, among others. In her book\u00a0Heidegger, H\u00f6lderlin, and the Subject of Poetic Language<\/i>\u00a0(Fordham University Press 2004), Gosetti-Ferencei reconstructs H\u00f6lderlin\u2019s fragmentary poetic theory, and his theoretical and poetic responses to the ideas of Kant, Fichte and Schiller, in order to critically address Heidegger\u2019s interpretations of the poet and their political entanglements. She demonstrates that H\u00f6lderlin\u2019s poetics, while inspired by Enlightenment ideals, supports a theory of poetic subjectivity both tragic and analeptic in nature, a model which at once structures a reverent human relationship with nature and evades the problematic ontology of Heidegger\u2019s notion of the history of Being.\u00a0<\/div>\r\n
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Prof. Gosetti-Ferencei's major research projects in progress concern phenomenological ecology, nature and ecology in modern literary thought, and the role of imagination in literary experience.<\/div>"],"ecpt_publications":["

Monographs:<\/b><\/p>\r\n

Imagination: A Very Short Introduction<\/i>\u00a0(Oxford: Oxford University Press, 2023).<\/div>\r\n
\u00a0<\/div>\r\n
On Being and Becoming: An Existentialist Approach to Life<\/i>\u00a0(Oxford: Oxford University Press, 2020).<\/div>\r\n
\u00a0<\/div>\r\n
The Life of Imagination: Revealing and Making the World<\/i>\u00a0(New York: Columbia University Press, 2018).<\/div>\r\n
\u00a0<\/div>\r\n
Exotic Spaces in German Modernism<\/i>\u00a0(Oxford: Oxford University Press, 2011).<\/div>\r\n
\u00a0<\/i><\/div>\r\n
The Ecstatic Quotidian: Phenomenological Sightings in Modern Art and Literature<\/i>\u00a0(University Park: Pennsylvania State University Press, 2007).<\/div>\r\n
\u00a0<\/i><\/div>\r\n
Heidegger, H\u00f6lderlin, and the Subject of Poetic Language<\/i>\u00a0(New York: Fordham University Press, 2004).\u00a0<\/div>\r\n
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Other Books:<\/b><\/div>\r\n
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After the Palace Burns<\/i>\u00a0(Lincoln, NE: Zoo Press, 2004). The Paris Review Prize in Poetry.<\/div>\r\n
\u00a0<\/b><\/div>\r\n
Translation:<\/b><\/div>\r\n
\u00a0<\/div>\r\n
Martin Heidegger, Phenomenology of Religious Life, trans. Fritsch and Gosetti-Ferencei (Bloomington: Indiana University Press, 2004).<\/div>\r\n
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Edited volume:<\/b><\/div>\r\n
\u00a0<\/div>\r\n
Modern Language Notes<\/i>\u00a0(MLN) Special Issue, Drinking from Two Glasses: H\u00f6lderlin at 250 and Celan at 100, Volume 135 Issue 3 (2020).<\/div>\r\n
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Journal Articles and Book Chapters:<\/b><\/div>\r\n
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\u201cEcopoetics and the Exigencies of Poetic Dwelling,\u201d\u00a0<\/i>Symposium on Dichtung,\u00a0Gatherings: The Heidegger Circle Annual<\/i>\u00a013 (2023).<\/div>\r\n
\u00a0<\/i><\/div>\r\n
\u201cThe Modernist Mimetic Imagination,\u201d\u00a0andererseits \u2013<\/i>\u00a0Yearbook of Transatlantic German Studies<\/i>, Volume 11\/12 (2022\/23).<\/div>\r\n
\u00a0<\/u><\/b><\/div>\r\n
\u201cTowards an Existentialist Ecology,\u201d\u00a0MLN (Modern Language Notes)<\/i>,\u00a0Comparative Literature Issue<\/i>, Vol. 137 No. 5, (December 2022).<\/div>\r\n
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\u201cUncertainty, Realism, and the Self in Kafka,\u201d in From the Enlightenment to Modernism: Three Centuries of German Literature, ed. Carolin Duttlinger, K. F. Hilliard, and Charlie Louth (Oxford: Legenda, 2021).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cExistentialism and The Future of Humanity\u201d (1930 words) in Arts & Ideas, Issue 94 (10 February 2021).<\/div>\r\n
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\u201cThe Phenomenology of Poetry,\u201d in Language and Phenomenology, ed. Chad Engelland (London and New York: Routledge, 2020).<\/div>\r\n
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\u201cNature and Poetic Consciousness from H\u00f6lderlin to Rilke,\u201d in Harmonisch entgegengesetzt: H\u00f6lderlin\u2019s Philosophy of Nature, ed. Rochelle Tobias (Edinburgh: Edinburgh University Press, 2020).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cDistributed Cognition in Modern Poetry and Painting: Rilke and C\u00e9zanne,\u201d in Distributed Cognition in Victorianism and Modernism, ed. Miranda Anderson (Edinburgh: Edinburgh University Press, 2020).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cEditor\u2019s Introduction: Drinking from Two Glasses: H\u00f6lderlin at 250 and Celan at 100,\u201d Modern Language Notes, German Issue, vol. 135 no. 3 (April 2020).<\/div>\r\n
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\u00a0\u201cOn Literary Understanding,\u201d Varieties of Understanding, ed. Stephen Grimm (Oxford: Oxford University Press, 2019).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cImaginative Ecology in Rilke\u2019s Sonnets to Orpheus,\u201d in Rainer Maria Rilke: Sonnets to Orpheus, ed. Hannah Eldridge and Luke Fischer (Oxford: Oxford University Press, 2019).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cNietzsche and Cognitive Ecology,\u201d in Anti-Idealism, Anti-Classicism: Reinterpreting a German Discourse, ed. Juliana de Albuquerque and Gert Hoffman (Berlin: de Gruyter, 2019).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cLanguage, World, and Animality: Between Derrida and Heidegger,\u201d Understanding Derrida, Understanding Modernism, ed. Jean-Michel Rabat\u00e9 (London: Bloomsbury Academic, 2019).<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0\u201cOn Philosophy and Poetry,\u201d Palgrave Handbook of Philosophy and Literature, ed. Barry Stocker (New York: Palgrave, 2018).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cPhenomenology and the Imagination of Modernism,\u201d in Understanding Merleau-Ponty, Understanding Modernism, ed. Ariane Mildenberg (London: Bloomsbury Academic, 2018).<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0\u201cMuerte y autenticidad. Reflexiones sobre Heidegger, Rilke y Blanchot,\u201d trans. J. Daniel Gonz\u00e1lez Mar\u00edn, Andamios Vol. 14, no 33 (enero-abril 2017) pp. 123-148.<\/div>\r\n
\u00a0<\/div>\r\n
\u201cThe Imagination of Animals: Rilke, Kafka, and the Philosophy and Literature of Embodied Cognition,\u201d in The Animal Inside: Essays at the Intersections of Philosophical Anthropology and Animal Studies,\u2019 ed. Geoffrey Dierckxsens et al (Lantham, MD: Roman and Littlefield, 2016).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cRadn\u00f3ti, Blanchot, and the (Un)writing of Disaster,\u201d Comparative Literature and Culture 17.2 (June 2015).<\/div>\r\n
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\u201cThe Mimetic Dimension: Literature Between Neuroscience and Phenomenology,\u2019 British Journal of Aesthetics, vol. 54, no. 4 (October 2014), 425-448.<\/div>\r\n
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\u00a0\u201cThe Tragic Dimension in Modern German Painting,\u2019 A Companion to Tragedy in German Literature, Art, and Thought, ed. Stephen Dowden and Thomas Quinn (Rochester, NY: Camden House, 2014).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cDeath and Authenticity: Reflections on Heidegger, Rilke, Blanchot,\u201d Existenz, 9:1 (Spring 2014).\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/div>\r\n
\u00a0<\/div>\r\n
\u201cThe World and Image of Poetic Language: Heidegger and Blanchot,\u201d Continental Philosophy Review 45:2 (2012).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cWriting in Philosophy and the Literature and Philosophy of Writing (Plato, Mann, Blanchot)\u2019 in Philosophy, Literature, and the Crisis of Metaphysics, ed. S\u00e9bastian H\u00fcsch (W\u00fcrzburg: K\u00f6nigshausen & Neumann, 2011).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cImmanent Transcendence in Rilke and Stevens,\u201d The German Quarterly 83:3 (Summer 2010).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cThe Poetics of World: Sources of Poetic Theory in Heidegger\u2019s Phenomenology of Religious Life,\u201d in A Companion to Heidegger\u2019s Phenomenology of Religious Life, ed. Andre Wiercinski and Sean McGrath (Rodopi Press, 2010).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cForeshadowings of the Kafkaesque in Alfred Kubin\u2019s Drawings,\u201d Hyperion: On the Future of Aesthetics vol. III, no. 4 (December 2008).<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0\u201cInterstitial Space in Rilke\u2019s Short Prose Works,\u201d The German Quarterly 80:3 (Summer 2007).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cThe Poetics of Thinking: Heidegger and H\u00f6lderlin,\u201d in Literature and Philosophy: A Guide to the Contemporary Debates, ed. David Rudrum, (New York: Palgrave\/Macmillan, 2007).<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0\u201cBetween Animality and Intellection: Phenomenology of the Child-Consciousness in Proust and Merleau-Ponty,\u201d Analecta Husserliana: The Yearbook of Phenomenological Research vol. 93 (2007).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cLanguage and The Flesh of Being: Merleau-Ponty and Kristeva,\u201d in Interrogating Ethics: Essays on Merleau-Ponty, edited by James Hatley (Pittsburgh: Duquesne University Press, 2006).\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/div>\r\n
\u00a0<\/div>\r\n
\u201cArticulate Spontaneity and the Aesthetic Imagination,\u201d Analecta Husserliana: The Yearbook of Phenomenological Research, vol. 92 (2006).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cMoral Sentiment and the Ethics of Representation in Holocaust Literature,\u201d Analecta Husserliana: the Yearbook of Phenomenological Research, vol. 84 (2006).<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0\u201cTrompe l\u2019Oeil and the Mimetic Tradition in Aesthetics,\u201d Analecta Husserliana: The Yearbook of Phenomenological Research, vol. 87 (2006).<\/div>\r\n
\u00a0<\/div>\r\n
\u00a0\u201cConfirmations of Life in a Phenomenology of the Poetic Image,\u201d Analecta Husserliana: The Yearbook of Phenomenological Research, vol. 83 (2004).\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/div>\r\n
\u00a0<\/div>\r\n
\u201cThe Aesthetic and the Poetic Image: Beyond the Ekphrastic Divide,\u201d Philosophy Today, vol. 29 (Summer 2003).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cPhenomenology of the Mysterious: A Reading of Rilke\u2019s Sonnets to Orpheus,\u201d Phenomenological Inquiry vol. 26 (Fall 2002).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cAsh in the Clouds: Unearthing Goethe,\u201d in Literary Imagination: Review of the Association of Literary Scholars and Critics, 4:3 (2002).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cTragedy and Truth in Heidegger and Jaspers,\u201d International Philosophical Quarterly 42:3 (Fall 2002).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cPhenomenological Literature: From the Natural Attitude to \u2018Recognition,\u2019\u201d Philosophy Today, vol. 45 (Summer 2001).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cThe Ecstatic Quotidian: Literary Phenomenology in Sartre and Rilke,\u201d Journal of the Association of the Interdisciplinary Study of the Arts, 7:1 (2001).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cFigures of the Feminine in Heidegger\u2019s Theory of Poetic Language,\u201d in Feminist Interpretations of Heidegger, edited by Patricia J. Huntington and Nancy Holland (College Park: The Pennsylvania State University Press, 2001).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cRevolutions in Language: H\u00f6lderlin to Kristeva,\u201d International Studies in Philosophy, XXXII:1 (1999).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cLanguage and Subject in Heidegger and Kristeva,\u201d Philosophy Today (SPEP supplement, vol.43, 1999).<\/div>\r\n
\u00a0<\/div>\r\n
\u201cThe Poetic Politics of Dwelling: H\u00f6lderlin, Kant, Heidegger,\u201d International Studies in Philosophy, XXXI: 1 (1998).<\/div>"],"ecpt_teaching":["
Courses taught by Professor Gosetti-Ferencei include:<\/div>\r\n
\u00a0<\/div>\r\n
Environmental Humanities<\/div>\r\n
Phenomenology and Literature<\/div>\r\n
Critical Ecologies of Literary Modernism<\/div>\r\n
Philosophical Aesthetics and Literary Aesthetics<\/div>\r\n
Reflections on Modernity<\/div>\r\n
German Literary Modernism<\/div>\r\n
Nature and Ecology in Modern German Thought\u00a0<\/div>\r\n
Existentialism in Literature and Philosophy<\/div>\r\n
Kafka in Philosophical and Literary Perspective<\/div>\r\n
Nietzsche and Literature<\/div>\r\n
Philosophy of Art<\/div>\r\n
Literature and Visual Art<\/div>\r\n
Philosophy of Imagination<\/div>\r\n
Animals and Animality in Literature and Philosophy<\/div>\r\n
Literary Geographies: Environment, Space, and Place in Literature<\/div>\r\n
Continental Philosophy in the 19th century<\/div>\r\n
Continental Philosophy in the 20th Century<\/div>"],"ecpt_hours":["Fall 2024 - T 12-1PM, W 12:30-1:30PM"],"ecpt_degrees":["DPhil, University of Oxford, PhD, Villanova University"],"_thumbnail_id":["3859"],"_searchwp_last_index":["1552647663"],"_wp_old_date":["2018-08-24"],"ecpt_cv":[""],"_ecpt_cv":["field_61e0871dac8e2"],"cv_file":[""],"_cv_file":["field_61e088d12999e"],"ecpt_job_abstract":[""],"_ecpt_job_abstract":["field_61e0873bac8e3"],"abstract_link":[""],"_abstract_link":["field_61e088f52999f"],"abstract_file":[""],"_abstract_file":["field_61e088f52999f"]},"_links":{"self":[{"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/people\/3757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/people"}],"about":[{"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/types\/people"}],"version-history":[{"count":1,"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/people\/3757\/revisions"}],"predecessor-version":[{"id":3758,"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/people\/3757\/revisions\/3758"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/media\/3859"}],"wp:attachment":[{"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/media?parent=3757"}],"wp:term":[{"taxonomy":"role","embeddable":true,"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/role?post=3757"},{"taxonomy":"filter","embeddable":true,"href":"https:\/\/krieger.jhu.edu\/modern-languages-literatures\/wp-json\/wp\/v2\/filter?post=3757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}