{"id":513,"date":"2022-07-26T08:24:46","date_gmt":"2022-07-26T12:24:46","guid":{"rendered":"https:\/\/krieger.jhu.edu\/theatre-arts\/?page_id=513"},"modified":"2025-11-19T14:02:47","modified_gmt":"2025-11-19T19:02:47","slug":"past-productions","status":"publish","type":"page","link":"https:\/\/krieger.jhu.edu\/theatre-arts\/past-productions\/","title":{"rendered":"Past Productions"},"content":{"rendered":"\n

JHU Theatre’s Mainstage season features a Fall and a Spring production, at the John Astin Theatre<\/a>. Our secondary season, The Playshop, brings student-led productions, experimental performances and other events into the Astin Theatre. <\/p>\n\n\n\n

For information on auditions, and on creating something for The Playshop, see our Playmaking page<\/a>.<\/p>\n\n\n\n

\"A<\/figure>
\n

Fall 2025<\/h2>\n\n\n\n

Gross Indecency: The Three Trials of Oscar Wilde<\/em><\/h3>\n\n\n\n

By Mois\u00e9s Kaufman<\/p>\n\n\n\n

Directed by Sean Elias<\/p>\n\n\n\n

Starring: Omotayo Adekunle Adenugba, Jade Clarke, Audrey Douglas, Cassandra Fan, Kunal Joshi, Finnigan Keane, Abigail McKenna, Nivriti Puri, Steve Wang<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\"Sir<\/figure>\n\n\n\n
\"Oscar<\/figure>\n\n\n\n
\"Queensbury,<\/figure>\n<\/figure>\n\n\n\n
\n
\"Several<\/figure>\n\n\n\n
\"Moises
Screenshot<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n
\"Lord<\/figure>\n\n\n\n
\"Audrey<\/figure>\n\n\n\n
\"Frank<\/figure>\n<\/figure>\n\n\n\n
<\/div>\n\n\n\n
\"close<\/figure>
\n

Spring 2025<\/h2>\n\n\n\n

Who’s Afraid of Virginia Woolf?<\/em><\/h3>\n\n\n\n

By Edward Albee<\/p>\n\n\n\n

Directed by James Glossman<\/p>\n\n\n\n

Starring: Katherine Budinger, Audrey Douglas, Kayla Sinkler, Asa Woo<\/p>\n<\/div><\/div>\n\n\n\n\n\n\n\n

<\/div>\n\n\n\n
\n
\"George<\/figure>\n\n\n\n
\"Honey<\/figure>\n<\/figure>\n\n\n\n
\n
\"Martha<\/figure>\n\n\n\n
\"George<\/figure>\n\n\n\n
\"George<\/figure>\n<\/figure>\n\n\n\n
\n
\n
\n
\"Martha<\/figure>\n\n\n\n
\"Martha,<\/figure>\n<\/figure>\n<\/div>\n<\/div>\n\n\n\n

Fall 2024: Passage<\/em>, By Christopher Chen<\/h2>
\n
\"Glowing<\/figure>
\n

Directed by Annalisa Dias<\/p>\n\n\n\n

Starring: Omotayo Adenugba, Emrullah Cakir, Kate Ketelhohn, Kunal Joshi, Finnigan Keane, Jewels Seeger, Qiushi (Chris) Tian, Christina Xi, Noni Zhang<\/p>\n<\/div><\/div>\n\n\n\n

\n
\"Man<\/figure>\n\n\n\n
\"A<\/figure>\n\n\n\n
\"Three<\/figure>\n\n\n\n
\"Man<\/figure>\n\n\n\n
\"The<\/figure>\n\n\n\n
\"Two<\/figure>\n\n\n\n
\"Two<\/figure>\n\n\n\n
\"Two<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n

Spring 2024: Galileo<\/em>, By Bertolt Brecht<\/h2>
\n
\"Picture<\/figure>
\n

Directed by: James Glossman<\/p>\n\n\n\n

In collaboration with the Space Telescope Science Institute<\/p>\n\n\n\n

Starring: Omotayo Adekunle Adenugba, Hanna Al-Kowsi, Tessa Barcelo, Shruthi Bare, Katherine Budinger, Allison Chen, Ander Diez, Camille Do, Audrey Douglas, Mark Gonzales, Paloma Lucero Hancock, Lulu Hassanein, Jiaming He, Max Hsu, Kate Ketelhohn, Jasmine Lafita, Melissa Shohet, Sara Pantoja, Benjamin Roberts, Bjorn Springer, Gemma Watson, Asa Woo.<\/p>\n\n\n\n

Read the review in the Johns Hopkins News-Letter.<\/a><\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\"Galileo<\/figure>\n\n\n\n
\"The<\/figure>\n\n\n\n
\"Images<\/figure>\n\n\n\n
\"Cosimo<\/figure>\n\n\n\n
\"Images<\/figure>\n\n\n\n
\"Virginia<\/figure>\n\n\n\n
\"Galileo<\/figure>\n\n\n\n
\"Monks<\/figure>\n\n\n\n
\"The<\/figure>\n\n\n\n
\"Galileo<\/figure>\n<\/figure>\n<\/div><\/div>\n\n\n\n

Other Recent Productions<\/h2>
\n
\n
\n
    \n
  • Fall 24: The Clouds<\/em>, by Aristophanes<\/li>\n\n\n\n
  • Spring 23: The Cherry Orchard<\/em>, by Anton Chekhov<\/li>\n\n\n\n
  • Spring 23 Playshop: Untitled annoying sad theater teens<\/em>, by Sigrid Edson<\/li>\n\n\n\n
  • Fall 22: The Glass Menagerie<\/em>, by Tennessee Williams<\/li>\n\n\n\n
  • Spring 22: A Doll’s House Part 2,<\/em> by Lucas Hnath<\/li>\n\n\n\n
  • Fall 21: Escape<\/em>, by Nicky Glossman<\/li>\n\n\n\n
  • Yankee Tavern<\/em><\/li>\n\n\n\n
  • Sunday on the Rocks<\/em><\/li>\n\n\n\n
  • Dura Mater<\/em><\/li>\n\n\n\n
  • Good Television<\/em><\/li>\n\n\n\n
  • U.S.A.<\/em><\/li>\n\n\n\n
  • Kick the Can<\/em><\/li>\n\n\n\n
  • Top Girls<\/em><\/li>\n\n\n\n
  • Legion<\/em><\/li>\n\n\n\n
  • The Real Inspector Hound<\/em><\/li>\n\n\n\n
  • Anton in Show Business<\/em><\/li>\n\n\n\n
  • Fool for Love<\/em><\/li>\n\n\n\n
  • The House of Blue Leaves<\/em><\/li>\n\n\n\n
  • Tomorrow and Tomorrow and Tomorrow<\/em><\/li>\n\n\n\n
  • Spoon River Anthology<\/em><\/li>\n\n\n\n
  • Under Milkwood<\/em><\/li>\n\n\n\n
  • Simpatico<\/em><\/li>\n<\/ul>\n<\/div>\n\n\n\n
    \n
      \n
    • Fuddy Meers<\/em><\/li>\n\n\n\n
    • The Big Knife<\/em><\/li>\n\n\n\n
    • Bus Stop<\/em><\/li>\n\n\n\n
    • La Ronde<\/em><\/li>\n\n\n\n
    • Twelfth Night<\/em><\/li>\n\n\n\n
    • Fifth of July<\/em><\/li>\n\n\n\n
    • Book of Days<\/em><\/li>\n\n\n\n
    • Five Women Wearing the Same Dress<\/em><\/li>\n\n\n\n
    • The Marriage of Bette and Boo<\/em><\/li>\n\n\n\n
    • Crimes of the Heart<\/em><\/li>\n\n\n\n
    • Boy Meets Girl<\/em><\/li>\n\n\n\n
    • Krapp\u2019s Last Tape<\/em><\/li>\n\n\n\n
    • Charley\u2019s Aunt<\/em><\/li>\n\n\n\n
    • Bluff<\/em><\/li>\n\n\n\n
    • Our Town<\/em><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"

      JHU Theatre’s Mainstage season features a Fall and a Spring production, at the John Astin Theatre. Our secondary season, The Playshop, brings student-led productions, experimental performances and other events into the Astin Theatre. For information on auditions, and on creating something for The Playshop, see our Playmaking page. Fall 2025 Gross Indecency: The Three Trials […]<\/p>\n","protected":false},"author":605,"featured_media":1192,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-513","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/pages\/513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/users\/605"}],"replies":[{"embeddable":true,"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/comments?post=513"}],"version-history":[{"count":4,"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/pages\/513\/revisions"}],"predecessor-version":[{"id":2006,"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/pages\/513\/revisions\/2006"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/media\/1192"}],"wp:attachment":[{"href":"https:\/\/krieger.jhu.edu\/theatre-arts\/wp-json\/wp\/v2\/media?parent=513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}