This course surveys the literary and cultural productions of Black and Latinx science fictioneers and their generative confrontations with the sci-fi genre’s fraught colonial, gendered, and racialized technoscientific origins. By engaging works of the Afrofuturist and Latinxfuturist imagination (ex. film, short stories, novels, and visual art) alongside science fiction criticism, and readings spanning the subfields of feminist, queer, and postcolonial science and technology studies, we’ll consider how Black and Latinx science fictioneers, past and present, appropriate the idioms of science and technology to upend essentialist accounts of gender, race, and sexuality, and fashion radical remappings of “gendered,” “raced,” and “sexed” bodies. Throughout the course of the semester, we'll also be interrogating how (and to what end) Black and Latinx sci-fi writers and creators such as Octavia E. Butler, Nalo Hopkinson, Janelle Monáe, Firelei Báez, E.G. Condé , and Silvia Moreno-Garcia, among others, complicate, reconceptualize, and expand the contours of the “science” in science fiction. In so doing, we will assess the implications (be these social, political, epistemological, etc.) of positioning Black and Latinx peoples, who have more often than not been made the objects of science (and scientific racism), as key interlocutors, producers, and critical surveyors of technoscientific knowledge.
- Days/Times: W 3:00PM - 5:30PM
- Instructor: Vado, Karina A
- Room:
- Status: Open
- Seats Available: 9/18
- PosTag(s): MSCH-HUM