Dr. Meredith C. Ward is a generalist in the arena of film and media, and a specialist in the joint areas of media historiography and sound studies. She received her Ph.D from the Screen Cultures Program at Northwestern University in 2015. Her dissertation, Chatter, Reverberation, and the Static in the System: Noise in American Cinema Culture" won the 2016 Society for Cinema and Media Studies Dissertation Award for the best dissertation submitted to the international organization for film and media scholars.
Her first book, Static in the System: Noise and the Soundscape of American Cinema Culture, was published by the University of California Press. Her second book, Sound Convergence: Listening to Twenty-First Century Media, is currently in progress.
Dr. Ward's interests include cultural history as it relates to film, sound theory, analysis, and aural culture, and the history of film reception. She has presented at conferences in the United States and Europe, and was a guest speaker at the Chicago Film Seminar. Her work has been included in multiple annual meetings of the Society for Cinema and Media Studies, and the annual Screen conference in Glasgow.
Her work has been published in the journals Music, Sound, and the Moving Image and Nineteenth Century Theatre and Film, as well as the Oxford Handbook for Cinematic Listening and other edited collections.
She is affiliated faculty for the Johns Hopkins Center for Advanced Media Studies: the JHU division that awards media certificates to humanities Ph.D. students who do extensive research in film and media. Dr. Ward teaches in this program as well.
Dr. Ward teaches on film theory, cultural theory, and the "moving image" as it is broadly defined, including cinema and popular culture, television and internet culture. She also teaches sound studies courses for the undergraduates and graduate populations. With her colleague Matthew Porterfield, she teaches a theory and practice filmmaking course. Her courses include Intro. to Cinema I and II; Theorizing Popular Culture, an upper-level seminar on the interactions between cultural theory and popular culture; Love and Film, a course on the "philosophy of love" as it applies to film as an art form; a Film Theory course based on the notion of passionate engagement with cinema's basic questions; a course on the history and practice of cinephilia; and "Mediated Listening" and "Deep Listening," courses on sound and media for undergraduates and graduates, respectively.
She is the faculty advisor to the Johns Hopkins Film Society, and advises on their annual Johns Hopkins Film Festival. She is also the founder of and faculty advisor to Studio North, JHU's own student-run film production company that funds prestigious student projects. She is the founding Creative Director of the television Writers Room at Johns Hopkins and the Administrative Director of the Johns Hopkins Film Festival for High School Students.
She has served as an advisor to Woodrow Wilson fellows, PURA grant recipients, Arts Innovation Grant recipients, Women and Gender Studies grant recipients, and students writing senior humanities theses.
She was a finalist for the 2012 and 2013 Excellence in Teaching Awards, and the 2016 Undergraduate Advising Award.
Meredith Ward’s first book, Static in the System: Noise and the Soundscape of American Cinema Culture, published by the University of California Press.
Meredith Ward's essay, "Song of the Sonic Body: Noise, the Audience, and Early American Moving Picture Culture" appears in Media, Popular Culture, and the American Century, eds. Kingsley Bolton and Jan Olsson. Bloomington, Indiana: Indiana University Press, 2010.
Logo for Studio North, Johns Hopkins’ student-run film production company founded and advised by Meredith Ward. Logo designed by JHU alumna Genevieve Ott.