Courses

The courses listed below are provided by Student Information Services (SIS). This listing provides a snapshot of immediately available courses within this department and may not be complete. Course registration information can be found at https://sis.jhu.edu/classes/.

Please consult the online course catalog for cross-listed courses and full course information, including courses that are offered on a rotating basis.

Column one has the course number and section. Other columns show the course title, days offered, instructor's name, room number, if the course is cross-referenced with another program, and a option to view additional course information in a pop-up window.

Special Topics: Producing the Independent Film
AS.061.221 (01)

This class will guide students through the process of producing an independent film in the United States. The chronology of lectures and coursework will follow the lifeline of a project, from conception through financing and development, production, postproduction, marketing, and exhibition. Students will learn how to package and pitch projects, budget and schedule a screenplay, develop a financing plan, supervise production and post-production, and mount a viable festival and distribution strategy. Lab Fee: $50

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 6/9
  • PosTag(s): n/a

Introduction to Digital Video Production
AS.061.152 (01)

This course introduces students to the world of digital filmmaking. Through screenings, production assignments, and in-class labs, students will develop proficiency in digital cameras, sound recording devices, and software. Students will work individually and in groups to produce several video projects. For their final projects students will pitch an idea and develop a more complex film. Lab fee: $100

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Approval Required
  • Seats Available: 0/10
  • PosTag(s): FILM-PROD

Introduction to Cinema, 1892-1941
AS.061.140 (01)

This course explores the fundamentals of film analysis and encourages students to embark on an exploration of the first half of our first century of movies. It teaches the basic elements of film form, as well as their use in films across the globe from the turn of the twentieth century through the start of World War II. Movements discussed include the silent comedy of Charles Chaplin, Buster Keaton, and Harold Lloyd, moody German Expressionism, the playful anarchy of Surrealism, the fundamentals of editing with Soviet Montage, the beauty of French poetic realism, the rule-breaking of Pre-Production Code cinema, the work of the young Alfred Hitchcock, and, of course, highlights of classical Hollywood filmmaking. Students must attend one screening weekly: either on Friday afternoon or Thursday evening. Lab fee: $50

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Reserved Open
  • Seats Available: 19/45
  • PosTag(s): n/a

Introduction to Digital Video Production: Visual Language
AS.061.145 (01)

This course is a study of the visual language used to create a moving picture. Through screenings and discussion of films, videos, and related readings, students will develop a visual critical facility and will demonstrate this facility in a few response papers to screenings and video projects. The course will focus on image construction, including composition, framing, movement inside the frame and use of light as well as use of sound. Students will learn to be attentive to rhythm and tempo in picture editing and sound. In-class video assignments included, in which students will work in small groups of three. Lab fee: $100

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 1/10
  • PosTag(s): FILM-PROD

Storytelling for Film and Fiction
AS.061.148 (01)

Through the analysis of narrative films, short fiction, myths, fairy tales, and ghost stories, and through the workshopping of their own creative writing, students will explore the art and science of "a good story well told." The course will offer an introduction to dramatic and visual storytelling, and is an essential primer for upper-level screenwriting. Lab fee $50.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Waitlist Only
  • Seats Available: 0/9
  • PosTag(s): FILM-SCRWRT

Introduction to Film Production
AS.061.150 (01)

This course introduces students to basic considerations of shooting 16mm film. Through lectures and practice, the course approaches the basics of light meter readings, basic camera operations and shot composition. The course also highlights specific readings from classical film theory to augment weekly shooting exercises. Each week students, working in groups, shoot film exercises, providing a general overview of film production. For the final project, each group shoots and edits (physical edits) a short (3-5 minutes) film on 16mm black and white reversal film stock. Lab fee: $200

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Approval Required
  • Seats Available: 0/9
  • PosTag(s): FILM-PROD

Lights, Camera, Action: Coming of Age Films
AS.061.155 (01)

This mini-course will offer an introduction to the basics of film analysis through a survey of coming of age films. Short weekly written responses, in-class screenings, and emphasis on discussion over lecture. No prior experience in film studies required. This one-credit course will meet September 5, 12, 19, 26, and will be graded Pass/Fail. Due to the limited number of meetings, perfect attendance is required.

  • Credits: 1.00
  • Level: Lower Level Undergraduate
  • Status: Reserved Open
  • Seats Available: 6/60
  • PosTag(s): n/a

Introduction to Screenwriting
AS.061.205 (01)

In this course we will explore the basic principles of visual storytelling in narrative film as they apply to the design, creation, and revision of the screenplay. Specifically, we will focus on learning the craft of screenwriting — strategies, processes, and philosophies that writers can develop, practice, and rely upon as they progress through a series of screenwriting exercises and write three short screenplays, which will be critiqued in-class during weekly table reads and with the Instructor (one-on-one) during office hours. Select professional screenplays will be read and analyzed — and clips from select films viewed — to further explore what works well on the page, and how it translates to working well onscreen. Students will be required to purchase a license for Final Draft screenwriting software for $99.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Waitlist Only
  • Seats Available: 0/11
  • PosTag(s): FILM-SCRWRT

Intermediate Film Production: First Person/Third Person Essay Film
AS.061.211 (01)

Each student shoots an essay film (16mm color and/or black and white) written either in first person or third person, or perhaps, both. The third person essay incorporates the ideas of various authors while the first person film is written chiefly from personal experience. Each film should run between 4-8 minutes. Lab Fee: $200. This course satisfies the Intermediate Film Production requirement.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/9
  • PosTag(s): FILM-PROD

Special Topics: Writing About Film
AS.061.226 (01)

A workshop that focuses on writing critical and analytical essays about movies recent and classic. Students will write progressively longer and more complex essays– submitting working drafts and making revisions– and participate in critiques and discussions of one another’s writings. Fulfills Film and Media Studies expository writing requirement. Lab Fee: $50

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 4/12
  • PosTag(s): FILM-CRITST

Intermediate Video: Dreams, Psychosis, and Altered States in Cinema
AS.061.232 (01)

In this production course, students will create multiple video projects that reflect the representation of dreams, psychosis, and altered states in cinema. We will screen and deconstruct a variety of feature films, video artworks, and music videos to understand the mechanics and language of subjective realism as a narrative form. We will trace this stylistic lineage from its roots in art house cinema to its rise as an accepted Hollywood modality. We will also explore editing and software techniques that will further students' ability to create stunning works of strange beauty.Basic proficiency with digital cameras and editing is required. This class fulfills the intermediate film production requirement.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Approval Required
  • Seats Available: 4/8
  • PosTag(s): FILM-PROD

Environmental Cinema
AS.061.321 (01)

An exploration of cinema’s unique capacity to reveal the world, this course presents an international and richly historical survey of environmental films. Examples come from narrative, documentary, and experimental filmmaking, including blockbusters, exposés of waste and pollution, guerrilla media projects, and poetic contemplations of landscapes and oceans. Filmmakers and artists include Andrei Tarkovsky, Angès Varda, Jia Zhangke, Lucy Walker, Ai Weiwei, Edward Burtynsky, and Werner Herzog.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 6/15
  • PosTag(s): FILM-CRITST, ENVS-MAJOR, ENVS-MINOR

Senior Capstone Project: Production
AS.061.440 (01)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 14/15
  • PosTag(s): FILM-PROD

Senior Capstone Project: Critical Studies
AS.061.441 (04)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 4/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (06)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (09)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (08)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (05)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (03)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (02)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 4/4
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (07)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Modern Paris on Film
AS.061.396 (01)

This course uses French film to examine the history of twentieth-century Paris. We will consider how filmmakers interpreted the social, political, and technological transformations that shaped Paris in the modern era, treating movies as expressions of change and means by which filmmakers comment on it. Taught in English. $50 lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 9/18
  • PosTag(s): FILM-CRITST

Love and Film
AS.061.391 (01)

In this course, we explore different understandings of "love" and the way that film has dealt with the concept as a medium. We explore a variety of approaches to the question of "love" - from the agapic to the familial to the romantic - through a series of interdisciplinary readings ranging from philosophy to anthropology. We will also equally explore the question of how film has engaged with the question of love as a concept, and what depictions of human affection - from the general to the personal - it has offered us. Screenings are required for this course. Lab fee: $50

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 1/12
  • PosTag(s): FILM-CRITST

Advanced Screenwriting
AS.061.404 (01)

Intensive workshop course where students will write a first draft of a feature-length screenplay. Classes will focus on the specific challenges of the students’ works-in-progress, with an emphasis on developing a story idea that is suitable for a feature, and the craft to see it through to completion. Particular emphasis will be placed on the feature screenwriter’s central challenge: creating enough of a structure in the early writing stages to keep the screenplay on track, while remaining open to new ideas for scenes and sequences that inevitably arise as the characters come to life. Select professional screenplays will be read and analyzed — and clips from select films viewed—to explore what works well on the page, and how it translates to working well onscreen. Students will aim to have a solid and workable first draft at the end of the semester, at which point avenues for further revision may be discussed. Throughout the course, Instructor will also devote a portion of class time to discuss the business of screenwriting. Students will be required to purchase a license for Final Draft screenwriting software for $99.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 1/8
  • PosTag(s): FILM-SCRWRT

Fabric of the Real
AS.061.384 (01)

Maurice Merleau-Ponty writes, “the real is a closely woven fabric”. In this course we will consider how several artistic disciplines weave their own version of that fabric. These disciplines include documentary film, prose poetry, landscape painting, literature, and music. The course will be predicated upon Martin Heidegger’s essay, “The Age of the World Picture” and follow the lead of Roland Barthe’s essay on the “effect of the real”. We will also highlight various hybrid forms within these disciplines, with particular attention to the work of W.G.Sebald and StevenReich.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 1/10
  • PosTag(s): FILM-CRITST

Senior Capstone Project: Production
AS.061.440 (05)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 4/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (04)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

The Films of Alfred Hitchcock
AS.061.364 (01)

Close examinations of Hitchcock's films from the Lodger to Frenzy. $40 lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 8/15
  • PosTag(s): FILM-CRITST

Automatic Animation
AS.061.378 (01)

A hand-made, 2-D animation course based on ideas of automatism. Students will create their own animated movie during the semester with in-class animation exercises. Readings will included Dada and Surrealist texts, poetry and theory of poetics. Sounds ideas will be discussed and pursued related to the ideas explored throughout the semester. $125 lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 3/6
  • PosTag(s): n/a

Acting and Screenwriting for Narrative Productions
AS.061.348 (01)

This pre-production course brings together student filmmakers from Maryland Institute College of Art (MICA) and Johns Hopkins University (JHU), providing intensive training in the crucial aspects of preparing to shoot a successful narrative film. Students work with a professional screenwriter, allowing students to hone and improve their existing screenplays, practice the elements of writing for film, and learn how to do a script breakdown. Workshops on working with actors, taught by a professional actor, will teach students the ins and outs of casting and directing. Supplemental workshops will cover elements of pre-production such as budgets, production schedules, call sheets, and legal issues. Film screenings will train students to see films with an eye towards what constitutes exciting, innovative filmmaking.   Students who wish to enroll in this course should have a prepared treatment, outline or script for a short film that they wish to develop during the semester. This course may be taken independently or as the prelude and prerequisite to Narrative Productions in the spring. Be advised that students who wish to enroll in the production course, Narrative Productions MUST have first completed Acting and Screenwriting for Narrative Productions.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 12/15
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (02)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 15/15
  • PosTag(s): FILM-PROD

Senior Capstone Project: Critical Studies
AS.061.441 (01)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 4/4
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (08)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (03)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 15/15
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (09)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (06)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (07)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Gangster Films
AS.061.328 (01)

The bad guy as hero from Little Caesar to Goodfellas. Film screenings Th 7:30-10:00 PM, Sun 7:00-9:30 PM. Lab fee: $40.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): FILM-CRITST

The Holocaust in Film and Literature
AS.211.333 (01)

How has the Holocaust been represented in literature and film? Are there special challenges posed by genocide to the traditions of visual and literary representation? Where does the Holocaust fit in to the array of concerns that the visual arts and literature express? And where do art and literature fit in to the commemoration of communal tragedy and the working through of individual trauma entailed by thinking about and representing the Holocaust? These questions will guide our consideration of a range of texts — nonfiction, novels, poetry — in Yiddish, German, English, French and other languages (including works by Primo Levi and Isaac Bashevis Singer), as well as films from French documentaries to Hollywood blockbusters (including films by Alain Resnais, Claude Lanzmann, and Steven Spielberg). All readings in English.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Canceled
  • Seats Available: 15/15
  • PosTag(s): INST-GLOBAL

Cinematography and Lighting
MI.061.364 (01)

A comprehensive, hands-on studio course, exploring the technical and theoretical dimensions of motion picture cinematography and lighting, using both 16mm film and mini-DV videotape as creative formats. The course will not only cover the practical aspects of camera and lighting techniques as applied to a variety of genres (documentary, narrative and experimental), but will also screen and analyze a wide range of film and video material as examples of creative cinematography. Students will be expected to complete several shooting exercises for presentation in class.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 2/2
  • PosTag(s): n/a

Documentary Photography in a Changing China
AS.310.210 (01)

This course aims to inspire students to explore the impacts, meanings, and explanations of social transformation in contemporary China, via the lens of documentary photography. The photographic images of selective topics will include the products of photojournalism and documentary photography, and several documentary films, by both Chinese and non-Chinese photographers. While one picture is worth thousand words, one picture may also provoke countless interpretations. Students are strongly encouraged to read broadly about different aspects of social transformations in contemporary China, and to select and curate their own subjects of photo images. The spirit of comparative study of documentary photography of China and other parts of world will be strongly encouraged. Active class participation is imperative. A small exhibition on the campus will be organized by the Spring semester. The course is designed for upper division undergraduates. Cross-listed with Sociology and International Studies (CP).

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 11/19
  • PosTag(s): INST-CP

Sound Recording: On Location & In the Studio
MI.061.315 (01)

In contemporary cinema and video art sound occupies a crucial role both in the development of storytelling and in creating three-dimensional experiences for viewers. Sound Recording: On Location and In the Studio is geared to cultivate student’s audio skills for field, film set, and studio situation recordings. Students will learn both technical and creative aspects of the recording process, by working with professional audio production equipment and mixing their own final soundtracks and compositions in the JHU MICA Film Centre’s sound studio. Film and Media Studies Majors/Minors only.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Canceled
  • Seats Available: 2/2
  • PosTag(s): n/a

Documentary Photography
AS.371.303 (01)

In this course, we will explore different genres of documentary photography including: the fine art document, photojournalism, social documentary photography, the photo essay and photography of propaganda. Field trips offer opportunities to work in the field. Students will work on a semester-long photo-documentary project on a subject of their choice. Camera experience is a plus, but not a prerequisite. Students will be loaned a digital SLR for the semester.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 0/10
  • PosTag(s): n/a

Special Effects
MI.061.320 (01)

Personal computers have provided a low-cost method for previously high-cost video post-production. Through invention and with patience one can develop unique visual effects. This class will explore 2-D animation, matting, keying and visual effects utilizing Adobe AfterEffects.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 2/2
  • PosTag(s): n/a

Russian Avant-Garde Cinema
AS.300.366 (01)

Russian cinema was born out of the intense artistic experimentation of the fin-de-siècle avant-garde and developed in a climate of dramatic political and cultural change in the twenties and thirties. While subject to draconian censorship in the Soviet period, it nonetheless engaged in active dialogue with the film industries of Western Europe and America and had a lasting impact on world cinema. This course examines the extraordinary flourishing of avant-garde cinema in the Soviet Union in the 1920s and 30s including films by Eisenstein, Vertov, Pudovkin, and Dovzhenko, their theoretical writings, and their far-reaching influence on film and film theory. All readings in English, films subtitled in English.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 8/15
  • PosTag(s): INST-GLOBAL

Documentary Photography
AS.371.303 (02)

In this course, we will explore different genres of documentary photography including: the fine art document, photojournalism, social documentary photography, the photo essay and photography of propaganda. Field trips offer opportunities to work in the field. Students will work on a semester-long photo-documentary project on a subject of their choice. Camera experience is a plus, but not a prerequisite. Students will be loaned a digital SLR for the semester.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 1/10
  • PosTag(s): n/a

Modernist Literature and Film
AS.220.221 (01)

This course explores the exchange of ideas and techniques between modernist literature and cinema in response to the social and technological changes of the twentieth century. Prominent figures include Charlie Chaplin, Ezra Pound, T. S. Eliot, Virginia Woolf, Franz Kafka, Sergei Eisenstein, Jean Epstein, John Dos Passos, Zora Neale Hurston, Paul Strand, and Gertrude Stein. Participants will write weekly assignments on films and readings from a critical perspective.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 2/15
  • PosTag(s): n/a

Video Art
MI.061.307 (01)

Artists have been using video since 1965 when Sony released its first portable video camera. Artists have used video as sculpture, produced single-channel works, and integrated it into their performances. This course explores video as a fine arts medium. Students produce a number of works that explore video's rich possibilities.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 2/2
  • PosTag(s): n/a

Course # (Section) Title Day/Times Instructor Room PosTag(s) Info
AS.061.221 (01)Special Topics: Producing the Independent FilmT 4:00PM - 6:20PM, W 7:30PM - 10:00PM ScreeningsPorterfield, MatthewThe Centre 216
AS.061.152 (01)Introduction to Digital Video ProductionTh 12:30PM - 3:20PMRoche, JimmyThe Centre 239FILM-PROD
AS.061.140 (01)Introduction to Cinema, 1892-1941MW 12:00PM - 1:15PM, F 12:00PM - 2:30PM Screenings, Th 7:30PM - 10:00PM ScreeningsWard, Meredith CGilman 132
AS.061.145 (01)Introduction to Digital Video Production: Visual LanguageW 3:30PM - 5:50PM, Th 7:30PM - 10:00PM ScreeningsYasinsky, KarenThe Centre 216FILM-PROD
AS.061.148 (01)Storytelling for Film and FictionT 3:00PM - 5:30PM, M 7:30PM - 10:00PM ScreeningsBucknell, LucyOlin 305FILM-SCRWRT
AS.061.150 (01)Introduction to Film ProductionT 1:00PM - 3:20PMPorterfield, MatthewThe Centre 216FILM-PROD
AS.061.155 (01)Lights, Camera, Action: Coming of Age FilmsTh 5:00PM - 8:00PMBucknell, LucyGilman 50
AS.061.205 (01)Introduction to ScreenwritingF 3:00PM - 5:50PMRodgers, Adam FThe Centre 206FILM-SCRWRT
AS.061.211 (01)Intermediate Film Production: First Person/Third Person Essay FilmW 12:00PM - 2:20PMMann, JohnThe Centre 216FILM-PROD
AS.061.226 (01)Special Topics: Writing About FilmT 1:30PM - 3:50PM, M 7:30PM - 10:00PM ScreeningsMason, Laura FILM-CRITST
AS.061.232 (01)Intermediate Video: Dreams, Psychosis, and Altered States in CinemaT 12:30PM - 2:50PMRoche, JimmyThe Centre 239FILM-PROD
AS.061.321 (01)Environmental CinemaTh 10:00AM - 12:20PM, T 10:00AM - 12:20PM ScreeningsStine, Kyle J.The Centre 206FILM-CRITST, ENVS-MAJOR, ENVS-MINOR
AS.061.440 (01)Senior Capstone Project: ProductionMann, John FILM-PROD
AS.061.441 (04)Senior Capstone Project: Critical StudiesMason, Laura 
AS.061.441 (06)Senior Capstone Project: Critical StudiesYasinsky, Karen 
AS.061.441 (09)Senior Capstone Project: Critical StudiesPorterfield, Matthew 
AS.061.441 (08)Senior Capstone Project: Critical StudiesRoche, Jimmy 
AS.061.441 (05)Senior Capstone Project: Critical StudiesRodgers, Adam F 
AS.061.441 (03)Senior Capstone Project: Critical StudiesBucknell, Lucy 
AS.061.441 (02)Senior Capstone Project: Critical StudiesDeLibero, Linda 
AS.061.441 (07)Senior Capstone Project: Critical StudiesMann, John 
AS.061.396 (01)Modern Paris on FilmTh 3:00PM - 5:20PM, W 7:30PM - 10:00PM ScreeningsMason, LauraGilman 17FILM-CRITST
AS.061.391 (01)Love and FilmT 10:00AM - 12:20PM, M 7:30PM - 10:00PM ScreeningsWard, Meredith C FILM-CRITST
AS.061.404 (01)Advanced ScreenwritingTh 3:30PM - 5:50PMRodgers, Adam FThe Centre 206FILM-SCRWRT
AS.061.384 (01)Fabric of the RealF 12:00PM - 2:20PMMann, JohnThe Centre 216FILM-CRITST
AS.061.440 (05)Senior Capstone Project: ProductionDeLibero, Linda FILM-PROD
AS.061.440 (04)Senior Capstone Project: ProductionRoche, Jimmy FILM-PROD
AS.061.364 (01)The Films of Alfred HitchcockW 11:00AM - 1:20PM, T 7:30PM - 10:00PM ScreeningsDeLibero, Linda FILM-CRITST
AS.061.378 (01)Automatic AnimationM 1:30PM - 3:50PMYasinsky, KarenThe Centre 216
AS.061.348 (01)Acting and Screenwriting for Narrative ProductionsM 4:00PM - 8:00PMBeller, KathleenThe Centre 218
AS.061.440 (02)Senior Capstone Project: ProductionPorterfield, Matthew FILM-PROD
AS.061.441 (01)Senior Capstone Project: Critical StudiesWard, Meredith C 
AS.061.440 (08)Senior Capstone Project: ProductionMason, Laura FILM-PROD
AS.061.440 (03)Senior Capstone Project: ProductionWard, Meredith C FILM-PROD
AS.061.440 (09)Senior Capstone Project: ProductionYasinsky, Karen FILM-PROD
AS.061.440 (06)Senior Capstone Project: ProductionBucknell, Lucy FILM-PROD
AS.061.440 (07)Senior Capstone Project: ProductionRodgers, Adam F FILM-PROD
AS.061.328 (01)Gangster FilmsM 3:00PM - 5:20PM, S 7:00PM - 9:30PM Screenings, Th 7:30PM - 10:00PM ScreeningsBucknell, LucyGilman 186FILM-CRITST
AS.211.333 (01)The Holocaust in Film and LiteratureW 1:30PM - 4:00PMSpinner, Samuel Jacob INST-GLOBAL
MI.061.364 (01)Cinematography and LightingT 9:00AM - 3:00PMStaff 
AS.310.210 (01)Documentary Photography in a Changing ChinaW 1:30PM - 4:00PMHe, GaochaoBloomberg 278INST-CP
MI.061.315 (01)Sound Recording: On Location & In the StudioF 9:00AM - 3:00PMStaff 
AS.371.303 (01)Documentary PhotographyF 10:00AM - 12:50PMBerger, Phyllis AMattin Center 204
MI.061.320 (01)Special EffectsTh 4:00PM - 10:00PMStaff 
AS.300.366 (01)Russian Avant-Garde CinemaTTh 10:30AM - 11:45AMEakin Moss, AnneGilman 208INST-GLOBAL
AS.371.303 (02)Documentary PhotographyF 2:00PM - 4:50PMBerger, Phyllis AMattin Center 204
AS.220.221 (01)Modernist Literature and FilmF 1:30PM - 4:00PMStine, Kyle J.Gilman 134
MI.061.307 (01)Video ArtW 4:00PM - 8:00PMStaff