Courses

The courses listed below are provided by Student Information Services (SIS). This listing provides a snapshot of immediately available courses within this department and may not be complete. Course registration information can be found at https://sis.jhu.edu/classes/.

Please consult the online course catalog for cross-listed courses and full course information, including courses that are offered on a rotating basis.

Column one has the course number and section. Other columns show the course title, days offered, instructor's name, room number, if the course is cross-referenced with another program, and a option to view additional course information in a pop-up window.

Introduction to Cinema, 1960-present
AS.061.141 (01)

Introduction to Cinema provides an overview of American and international cinema from 1960 to the present. Through lectures and discussion, weekly screenings, and intensive visual analysis of individual films, we will explore the aesthetic, cultural, political, and economic forces that have shaped the art and industry of film over the past 60 years. Regular quizzes, writing assignments, class participation required. Mandatory film screenings.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MW 12:00PM - 1:15PM, Th 7:30PM - 10:00PM Screenings
  • Instructor: Ward, Meredith C
  • Room: Krieger 180
  • Status: Open
  • Seats Available: 18/48
  • PosTag(s): n/a

Introduction to Film Production
AS.061.150 (01)

This course introduces students to basic considerations of shooting 16mm film. Through lectures and practice, the course approaches the basics of light meter readings, basic camera operations and shot composition. The course also highlights specific readings from classical film theory to augment weekly shooting exercises. Each week students, working in groups, shoot film exercises, providing a general overview of film production. For the final project, each group shoots and edits (physical edits) a short (3-5 minutes) film on 16mm black and white reversal film stock.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: M 10:00AM - 12:30PM
  • Instructor: Mann, John
  • Room: The Centre 216
  • Status: Approval Required
  • Seats Available: 4/10
  • PosTag(s): FILM-PROD

Introduction to Digital Video Production
AS.061.152 (01)

This course introduces students to the world of digital filmmaking. Through screenings, production assignments, and in-class labs, students will develop proficiency in digital cameras, sound recording devices, and software. Students will work individually to produce several video projects. For their final projects, students will pitch an idea and develop a more complex film.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: W 12:30PM - 3:00PM
  • Instructor: Roche, Jimmy
  • Room: The Centre 239
  • Status: Approval Required
  • Seats Available: 0/10
  • PosTag(s): FILM-PROD

Introduction to Screenwriting
AS.061.205 (01)

In this course we will explore the basic principles of visual storytelling in narrative film as they apply to the design, creation, and revision of the screenplay. Specifically, we will focus on learning the craft of screenwriting — strategies, processes, and philosophies that writers can develop, practice, and rely upon as they progress through a series of screenwriting exercises and write three short screenplays, which will be critiqued in-class during weekly table reads and with the Instructor (one-on-one) during office hours. Select professional screenplays will be read and analyzed — and clips from select films viewed — to further explore what works well on the page, and how it translates to working well onscreen. Final Draft screenwriting software is required; a FREE 18-week trial will be made available for all students who don’t already have Final Draft.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: M 2:00PM - 5:00PM
  • Instructor: Rodgers, Adam F; Sharman, Russell L
  • Room: The Centre 206
  • Status: Approval Required
  • Seats Available: 0/12
  • PosTag(s): FILM-SCRWRT

Special Topics: Animation Workshop
AS.061.219 (01)

Students will produce several animations using hand-made techniques, including drawing animation, paper puppets and stop-motion. Screenings and readings will provide a historical and conceptual context to the exploration of animation as an experimental technique within both narrative and non-narrative works.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: T 10:00AM - 12:30PM
  • Instructor: Yasinsky, Karen
  • Room: The Centre 216
  • Status: Waitlist Only
  • Seats Available: 0/10
  • PosTag(s): n/a

Intermediate Digital Video Production: Adobe After Effects
AS.061.233 (01)

This course will serve as an introduction to Adobe After Effects. Students will learn a variety of motion graphics techniques such as digital character animation, rotoscoping, motion tracking, chroma key compositing and automating 3D cameras. Through screenings and discussions students will gain insight into the myriad of ways After Effects is used in Film and Television. Throughout the semester students will complete several short video art projects.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 12:30PM - 3:00PM
  • Instructor: Roche, Jimmy
  • Room: The Centre 239
  • Status: Approval Required
  • Seats Available: 4/12
  • PosTag(s): FILM-PROD

Reading the Moving Image
AS.061.238 (01)

This course will emphasize close observation and critical thinking. Through weekly screenings and class discussion, students will practice noticing; seeing and hearing with fresh eyes and ears, and taking nothing on screen for granted. And they’ll learn to reflect on and contextualize what they find, drawing evolved conclusions about how film texts communicate ideas and what those ideas may be. They’ll consider all elements of cinematic form; an array of analytical frameworks including genre, historical era, authorship, and modes of production; and representations of gender, race, and class. Regular quizzes, a short oral presentation, and a short written analysis. No prior experience in film studies required; majors and non-majors welcome.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: M 3:00PM - 5:30PM, Th 7:30PM - 10:00PM Screenings
  • Instructor: Bucknell, Lucy
  • Room: Hodson 303
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): FILM-CRITST

Poetry and the Moving Image
AS.061.263 (01)

Using P. Adams Sitney's text: The Cinema of Poetry, this course will explore the relationship between poetry and the moving image. When experimental film began to define itself in the 1950s and 60s the terms cine-poem and film-poem were ubiquitous as identifying avant-garde cinema. Poetic structures in the moving image will be studied in relation to language, images and formation of meaning. Students will independently research a poet who greatly inspired and influenced a filmmaker/moving image artist and write on that filmmaker's work. One moving image project will be undertaken and completed during the semester as well. Weekly assignments will include screenings, reading, writing, and or video work.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 3:30PM - 6:00PM, T 7:30PM - 10:00PM Screenings
  • Instructor: Yasinsky, Karen
  • Room:  
  • Status: Open
  • Seats Available: 12/15
  • PosTag(s): FILM-CRITST

Podcasting: Critical and Creative Practice
AS.061.303 (01)

Combining approaches to audio storytelling and multimedia production, this course offers a wide-ranging introduction to the art of podcasting. Students will learn techniques from the innovators of the golden age of radio, read culturally significant radio plays, develop tools for critically listening to and analyzing today’s podcasts, and learn how to research, write for, and produce their own podcasts. Examples will come from a broad sample of narrative, documentary, interview, and discussion-based podcasts. While no formal training in audio production is necessary to take the course, students will be expected to learn the necessary skills to create their own podcasts. In-class demonstrations of microphones, editing software, and approaches to sound design will be offered. The full suite of podcast materials—written copy, cover image, and audio file—will be posted to the JHU FMS Podcasting channel at https://jhufilmandmedia.podbean.com/. Subscribe to the feed on Apple Podcasts, Google Podcasts, Spotify, or wherever you get your podcasts. $50 lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 10:00AM - 12:30PM
  • Instructor: Stine, Kyle J.
  • Room: The Centre 206
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): FILM-CRITST

Screenwriting By Genre
AS.061.315 (01)

Story design for the screenplay with special attention to the genres of comedy, horror, melodrama, and adventure. Regular workshops, short written exercises, and a longer final project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 3:00PM - 5:30PM, M 7:30PM - 10:00PM Screenings
  • Instructor: Bucknell, Lucy
  • Room: Greenhouse 113
  • Status: Waitlist Only
  • Seats Available: 0/9
  • PosTag(s): FILM-SCRWRT

Teens On Screen
AS.061.347 (01)

This course will explore changing representations of adolescence in films from the 1950s to today across a range of mainstream Hollywood, independent, and international films. We’ll examine how this dynamic and misunderstood genre shapes and reshapes perceptions of youth, and we’ll discuss the frank and sometimes explosive ways teen films address difficult questions of race, class and sexual identity, often in the guise of “pure” entertainment. Recommended Course Background: Introduction to Cinema I or Introduction to Cinema II, or permission of instructor.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: W 1:30PM - 4:00PM
  • Instructor: DeLibero, Linda
  • Room: The Centre 206
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): FILM-CRITST

Women Making Movies (Europe)
AS.061.389 (01)

This course introduces students to some of the most exciting female directors of the 21st century, asking how gender shaped the production and reception of their films. Do particular directors attribute any significance to the fact of being a woman? Does a director's gender shape her choice of subject or how she represents it? Does wider knowledge of works directed by women change our sense of the canon and authorship? Covers non-U.S. films, strongly encouraged for FMS majors and minors. Cross-listed with WGS. No pre-requisite.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 7:30PM - 10:00PM Screenings, TTh 4:30PM - 5:45PM
  • Instructor: Mason, Laura
  • Room: Hodson 303
  • Status: Waitlist Only
  • Seats Available: 2/15
  • PosTag(s): FILM-CRITST

Modern Paris on Film
AS.061.396 (01)

This course uses French film to examine the history of twentieth-century Paris. We will consider how filmmakers interpreted the social, political, and technological transformations that shaped Paris in the modern era, treating movies as expressions of change and means by which filmmakers comment on it. Taught in English. $50 lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 3:00PM - 4:15PM, W 7:30PM - 10:00PM Screenings
  • Instructor: Mason, Laura
  • Room: Bloomberg 178
  • Status: Open
  • Seats Available: 6/15
  • PosTag(s): FILM-CRITST

Advanced Screenwriting II
AS.061.407 (01)

You’ve just finished the first draft of your feature screenplay or long-format teleplay. If you’re like most mortals, including the teacher of this course, it’s likely to be terrifically average. Here’s the chance to make it good — and possibly great — with a semester’s worth of systematic, high-octane rewriting. Hard labor, creative breakthroughs and a glimpse at what it takes to get Hollywood’s attention included.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 11:00AM - 2:00PM
  • Instructor: Rodgers, Adam F
  • Room: The Centre 206
  • Status: Approval Required
  • Seats Available: 3/12
  • PosTag(s): FILM-SCRWRT

Lost & Found Film
AS.061.413 (01)

This course explores various elements of film production and filmic expression through a somewhat nebulous field typically described as lost films. Lost films (or as they are sometimes called, "orphan" films) can be generally described as films that have, for a variety of reasons, fallen out of the public view. They frequently come from educational, scientific, medical, or industrial films from the 1950s and 1960s. Using these films as source materials, lost film filmmakers explore and expose cultural conventions, visual icons, and historical value materials. Each week, students are responsible for re-editing sources found on an internet archive site. The assignments follow thematic concerns related to film editing. Students complete a final project (4-8 minutes). All editing for the course is accomplished with non-linear software, generally Adobe Premiere or Final Cut.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 11:00AM - 1:30PM
  • Instructor: Mann, John
  • Room: The Centre 216
  • Status: Approval Required
  • Seats Available: 3/10
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (01)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Mann, John
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (02)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Yasinsky, Karen
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (04)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Roche, Jimmy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (05)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: DeLibero, Linda
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (06)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Ward, Meredith C
  • Room:  
  • Status: Approval Required
  • Seats Available: 4/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (07)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Bucknell, Lucy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (08)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Mason, Laura
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (09)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Rodgers, Adam F
  • Room:  
  • Status: Approval Required
  • Seats Available: 2/5
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (10)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Stine, Kyle J.
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (01)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Ward, Meredith C
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (02)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: DeLibero, Linda
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (03)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Bucknell, Lucy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (04)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Mason, Laura
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (05)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Mann, John
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (06)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Stine, Kyle J.
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (07)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Rodgers, Adam F
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (08)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Roche, Jimmy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (09)

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Yasinsky, Karen
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Brazilian Cinema and Topics in Contemporary Brazilian Society
AS.211.316 (01)

Course is taught in ENGLISH. Did you know that one of the first Latin American actresses to conquer Hollywood was Brazilian? Did you know that cinema has existed in Brazil since 1895, just six months after the first screening in Paris? This course is an introduction to both the academic study of cinema as a communicative art and to Brazilian film. The films selected focus on the late 1950s to the present and highlight import episodes and challenges in the advancement of Brazilian society as well as its cinematic production. Film aesthetics are analyzed through a number of critical perspectives, including class, race, gender as well as ethnicity, nationalism or national identity, colonialism, social changes, and the politics of representation. In this sense, the films, and documentaries that we will be watching and studying encompass the period from the rise of New Cinema (Cinema Novo) up to films exploring the most recent trends, including movies launched up to 2022. Students wishing to do the course work in English for 3 credits should register for section 01. Those wishing to earn 4 credits by doing the course work in Portuguese should register for section 02. No Prereq.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: MW 12:00PM - 1:15PM
  • Instructor: De Azeredo Cerqueira, Flavia Christina
  • Room: Hodson 305
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): ARCH-ARCH, INST-NWHIST, INST-GLOBAL, MLL-ENGL

Brazilian Cinema and Topics in Contemporary Brazilian Society
AS.211.316 (02)

Course is taught in ENGLISH. Did you know that one of the first Latin American actresses to conquer Hollywood was Brazilian? Did you know that cinema has existed in Brazil since 1895, just six months after the first screening in Paris? This course is an introduction to both the academic study of cinema as a communicative art and to Brazilian film. The films selected focus on the late 1950s to the present and highlight import episodes and challenges in the advancement of Brazilian society as well as its cinematic production. Film aesthetics are analyzed through a number of critical perspectives, including class, race, gender as well as ethnicity, nationalism or national identity, colonialism, social changes, and the politics of representation. In this sense, the films, and documentaries that we will be watching and studying encompass the period from the rise of New Cinema (Cinema Novo) up to films exploring the most recent trends, including movies launched up to 2022. Students wishing to do the course work in English for 3 credits should register for section 01. Those wishing to earn 4 credits by doing the course work in Portuguese should register for section 02. No Prereq.

  • Credits: 4.00
  • Level: Upper Level Undergraduate
  • Days/Times: MW 12:00PM - 1:15PM
  • Instructor: De Azeredo Cerqueira, Flavia Christina
  • Room: Hodson 305
  • Status: Open
  • Seats Available: 2/5
  • PosTag(s): ARCH-ARCH, INST-NWHIST, INST-GLOBAL, MLL-ENGL

Japanese Animation: History, Theory, Ecology
AS.300.305 (01)

An in-depth introduction to the history of Japanese animation from its origins in the 1910s to the contemporary post-Studio Ghibli era. In this course, we survey the narratives, aesthetic forms, industrial practices, and multimedia marketing strategies that have helped Japanese animation emerge as a global cultural phenomenon with a transnational fandom. What distinguishes “anime” from other practices of animation, and what forms of animation practice are excluded by animecentric narratives of Japanese animation history? What types of consumer behavior and emergent forms of sociality has anime engendered, and why have they come to occupy a central place in debates about postwar visual culture and Japanese (post)modernity? And how has Japanese animation been continually reshaped through its dynamic engagement with traditional and emerging media? In tackling these questions, our inquiry will be guided by four distinct methodological approaches that are central to studies of animation and new media: film studies, fan and cultural studies, cyborg theory and posthumanism, and media ecology.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: MW 3:00PM - 4:15PM
  • Instructor: Taylor, Chris Ross
  • Room: Gilman 55
  • Status: Open
  • Seats Available: 2/18
  • PosTag(s): n/a

Humanities Research Lab: Documentary Pre-Production
AS.360.409 (01)

This class will be a hands-on experience for students to be involved in the early stages of a documentary’s making. Students will be working with the professor on researching, planning, and writing the treatment for a documentary about a forgotten feminist play (1927) from pre-Holocaust Vienna, where diversity and progressive thought were still possible. This romantic comedy centers around a self-determined matriarch, Therese, helping her three daughters navigate the expectations of rigid, societal beliefs – often leading by example – as they find their way into adulthood. Moving back and forth between the archive of its time both through the re-appropriation of Nazi newsreels and propaganda films, as well as ephemeral films of the time and the the new staging of the play, the film will take the audience inside a theater space where a vibrant environment of escapism smashes against the harsh reality of its time, which is as vivid as it was 80 years ago.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 1:30PM - 4:00PM
  • Instructor: Wegenstein, Bernadette
  • Room: Gilman 461
  • Status: Open
  • Seats Available: 5/10
  • PosTag(s): n/a

Documentary Photography
AS.371.303 (01)

In this course, we will explore different genres and approaches to documentary photography and the questions inherent to this mode of image-making. We will explore such themes as representation, storytelling, research, records and archives, journalism, community engagement, and personal perspective. Contemporary issues within our culture and the local Baltimore community will provide inspiration for the work made in this course. Students will produce a final documentary project on a subject of their choice as the culmination of their semester’s work. DSLR cameras are available on loan for the semester. Attendance in first class is mandatory.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 2:00PM - 5:00PM
  • Instructor: Caro, Christiana Rose
  • Room: The Centre 318
  • Status: Approval Required
  • Seats Available: 1/12
  • PosTag(s): n/a

Course # (Section) Title Day/Times Instructor Room PosTag(s) Info
AS.061.141 (01)Introduction to Cinema, 1960-presentMW 12:00PM - 1:15PM, Th 7:30PM - 10:00PM ScreeningsWard, Meredith CKrieger 180
AS.061.150 (01)Introduction to Film ProductionM 10:00AM - 12:30PMMann, JohnThe Centre 216FILM-PROD
AS.061.152 (01)Introduction to Digital Video ProductionW 12:30PM - 3:00PMRoche, JimmyThe Centre 239FILM-PROD
AS.061.205 (01)Introduction to ScreenwritingM 2:00PM - 5:00PMRodgers, Adam F; Sharman, Russell LThe Centre 206FILM-SCRWRT
AS.061.219 (01)Special Topics: Animation WorkshopT 10:00AM - 12:30PMYasinsky, KarenThe Centre 216
AS.061.233 (01)Intermediate Digital Video Production: Adobe After EffectsTh 12:30PM - 3:00PMRoche, JimmyThe Centre 239FILM-PROD
AS.061.238 (01)Reading the Moving ImageM 3:00PM - 5:30PM, Th 7:30PM - 10:00PM ScreeningsBucknell, LucyHodson 303FILM-CRITST
AS.061.263 (01)Poetry and the Moving ImageTh 3:30PM - 6:00PM, T 7:30PM - 10:00PM ScreeningsYasinsky, Karen FILM-CRITST
AS.061.303 (01)Podcasting: Critical and Creative PracticeM 10:00AM - 12:30PMStine, Kyle J.The Centre 206FILM-CRITST
AS.061.315 (01)Screenwriting By GenreT 3:00PM - 5:30PM, M 7:30PM - 10:00PM ScreeningsBucknell, LucyGreenhouse 113FILM-SCRWRT
AS.061.347 (01)Teens On ScreenW 1:30PM - 4:00PMDeLibero, LindaThe Centre 206FILM-CRITST
AS.061.389 (01)Women Making Movies (Europe)T 7:30PM - 10:00PM Screenings, TTh 4:30PM - 5:45PMMason, LauraHodson 303FILM-CRITST
AS.061.396 (01)Modern Paris on FilmTTh 3:00PM - 4:15PM, W 7:30PM - 10:00PM ScreeningsMason, LauraBloomberg 178FILM-CRITST
AS.061.407 (01)Advanced Screenwriting IITh 11:00AM - 2:00PMRodgers, Adam FThe Centre 206FILM-SCRWRT
AS.061.413 (01)Lost & Found FilmW 11:00AM - 1:30PMMann, JohnThe Centre 216FILM-PROD
AS.061.440 (01)Senior Capstone Project: ProductionMann, John 
AS.061.440 (02)Senior Capstone Project: ProductionYasinsky, Karen 
AS.061.440 (04)Senior Capstone Project: ProductionRoche, Jimmy 
AS.061.440 (05)Senior Capstone Project: ProductionDeLibero, Linda 
AS.061.440 (06)Senior Capstone Project: ProductionWard, Meredith C 
AS.061.440 (07)Senior Capstone Project: ProductionBucknell, Lucy 
AS.061.440 (08)Senior Capstone Project: ProductionMason, Laura 
AS.061.440 (09)Senior Capstone Project: ProductionRodgers, Adam F 
AS.061.440 (10)Senior Capstone Project: ProductionStine, Kyle J. 
AS.061.441 (01)Senior Capstone Project: Critical StudiesWard, Meredith C 
AS.061.441 (02)Senior Capstone Project: Critical StudiesDeLibero, Linda 
AS.061.441 (03)Senior Capstone Project: Critical StudiesBucknell, Lucy 
AS.061.441 (04)Senior Capstone Project: Critical StudiesMason, Laura 
AS.061.441 (05)Senior Capstone Project: Critical StudiesMann, John 
AS.061.441 (06)Senior Capstone Project: Critical StudiesStine, Kyle J. 
AS.061.441 (07)Senior Capstone Project: Critical StudiesRodgers, Adam F 
AS.061.441 (08)Senior Capstone Project: Critical StudiesRoche, Jimmy 
AS.061.441 (09)Senior Capstone Project: Critical StudiesYasinsky, Karen 
AS.211.316 (01)Brazilian Cinema and Topics in Contemporary Brazilian SocietyMW 12:00PM - 1:15PMDe Azeredo Cerqueira, Flavia ChristinaHodson 305ARCH-ARCH, INST-NWHIST, INST-GLOBAL, MLL-ENGL
AS.211.316 (02)Brazilian Cinema and Topics in Contemporary Brazilian SocietyMW 12:00PM - 1:15PMDe Azeredo Cerqueira, Flavia ChristinaHodson 305ARCH-ARCH, INST-NWHIST, INST-GLOBAL, MLL-ENGL
AS.300.305 (01)Japanese Animation: History, Theory, EcologyMW 3:00PM - 4:15PMTaylor, Chris RossGilman 55
AS.360.409 (01)Humanities Research Lab: Documentary Pre-ProductionTh 1:30PM - 4:00PMWegenstein, BernadetteGilman 461
AS.371.303 (01)Documentary PhotographyTh 2:00PM - 5:00PMCaro, Christiana RoseThe Centre 318