Courses

The courses listed below are provided by Student Information Services (SIS). This listing provides a snapshot of immediately available courses within this department and may not be complete. Course registration information can be found at https://sis.jhu.edu/classes/.

Please consult the online course catalog for cross-listed courses and full course information, including courses that are offered on a rotating basis.

Column one has the course number and section. Other columns show the course title, days offered, instructor's name, room number, if the course is cross-referenced with another pogram, and a option to view additional course information in a pop-up window.

Intermediate Film Production: First Person/Third Person Essay Film
AS.061.211 (01)

Each student shoots an essay film (16mm color and/or black and white) written either in first person or third person, or perhaps, both. The third person essay incorporates the ideas of various authors while the first person film is written chiefly from personal experience. Each film should run between 4-8 minutes. Lab Fee: $200. This course satisfies the Intermediate Film Production requirement.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Closed
  • Seats Available: 6/9
  • PosTag(s): FILM-PROD

Freshman Seminar: The Films of 1968
AS.061.105 (01)

1968 was a year of protest and revolution around the globe, and a new audience of youthful cinephiles was hungry for movies that reflected the changing political and cultural landscape. The films of 1968 rose to the challenge, comprising a remarkable document of the times that collectively upended cinematic traditions and old ways of viewing with bold new forms and content. This course examines those cinematic visions—from classics like 2001: A Space Odyssey, Once Upon a Time in the West and Night of the Living Dead to influential groundbreakers like John Cassevetes’ Faces, Jean-Luc Godard’s La Chinoise and Lindsay Anderson’s If . . . –looking closely at individual films and examining both their contemporary contexts and their relevance today. Films will be viewed and discussed in class.

  • Credits: 2.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 2/15
  • PosTag(s): n/a

Introduction to Digital Video Production
AS.061.152 (01)

This course introduces students to the world of digital filmmaking. Through screenings, production assignments, and in-class labs, students will develop proficiency in digital cameras, sound recording devices, and software. Students will work individually and in groups to produce several video projects. For their final projects students will pitch an idea and develop a more complex film. Lab fee: $100

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Closed
  • Seats Available: 0/10
  • PosTag(s): FILM-PROD

Introduction to Screenwriting
AS.061.205 (01)

In this course we will explore the basic principles of visual storytelling in narrative film as they apply to the design and execution of a screenplay. During the course of the semester, each student will work on different writing exercises while they search for their specific story and the best way to approach it. We will study different narrative tools and methods of screenwriting by analyzing films to ascertain how they work or fail to do so at script level. Through in-class critiques, group discussions and one-on-one sessions, students will apply these techniques to their own work as they undergo the process of designing, breaking down, outlining and writing a screenplay for a short film. In-class analysis and debate on the strengths and challenges posed by the students' work will help shape the thematic emphasis of the second half of the course.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Waitlist Only
  • Seats Available: 0/12
  • PosTag(s): FILM-SCRWRT

Lights, Camera, Action: On Location
AS.061.156 (01)

This mini-course will explore the role of place in film; location not merely as setting, but as character, condition, mode of thought. Real and imagined, found and constructed worlds will be considered. Are all cinematic worlds virtual? In-class screenings and an emphasis on discussion over lecture. This 1-credit course will be graded Pass/Fail. Perfect attendance required. Class meets September 19, 26, October 3, 10.

  • Credits: 1.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 3/53
  • PosTag(s): FILM-CRITST

Special Topics: Producing the Independent Film
AS.061.221 (01)

This class will guide students through the process of producing an independent film in the United States. The chronology of lectures and coursework will follow the lifeline of a project, from conception through financing and development, production, postproduction, marketing, and exhibition. Students will learn how to package and pitch projects, budget and schedule a screenplay, develop a financing plan, supervise production and post-production, and mount a viable festival and distribution strategy. Lab Fee: $50

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Waitlist Only
  • Seats Available: 0/9
  • PosTag(s): n/a

Hollywood and the Culture Industry
AS.060.122 (01)

For an average consumer in the first half of the twentieth century, American culture meant Hollywood, and “Hollywood” was something of an insult. Associated with mass produced spectacles of questionable artistic value, the American movie industry played a powerful role in defining “popular culture” as we understand it today. This course will examine how Hollywood contributed to the popularization of cultural production and consumption, and how Hollywood itself was constructed as a cultural icon. What are the myths and tropes that govern Hollywood? How does Hollywood transmit economic, social, national, gender, and racial ideologies? How did Hollywood, in the face of corporate hegemony, still manage to create some of the most enduring cultural artifacts of the twentieth century? The course will begin with readings by Nathanael West and F. Scott Fitzgerald, two authors who worked as screenwriters to support their aspirations as novelists. We will then turn to the crucial influence made by non-American writers on Hollywood, starting with Evelyn Waugh’s "The Loved One" about the “British Colony” Waugh discovered during a visit to Southern California. Two weeks will be spent on Frankfurt School theorists of popular culture Theodor Adorno and Max Horkheimer, and the final third of the course will focus on films. We will start by examining three filmmakers whose careers were defined by the “studio system,” the oligopoly that controlled American cinema during the so-called “classical era.” The course concludes with two weeks devoted to films about Hollywood by notable directors. Classes will be supplemented by relevant secondary scholarship.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 7/18
  • PosTag(s): n/a

Introduction to Digital Video Production: Visual Language
AS.061.145 (01)

This course is a study of the visual language used to create a moving picture. Through screenings and discussion of films, videos, and related readings, students will develop a visual critical facility and will demonstrate this facility in a few response papers to screenings and video projects. The course will focus on image construction, including composition, framing, movement inside the frame and use of light. Students will learn to be attentive to rhythm and tempo in picture editing and sound. In-class video assignments included, in which students will work in small groups of three. Lab fee: $100

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 2/9
  • PosTag(s): FILM-PROD

Introduction to Cinema, 1892-1941
AS.061.140 (01)

This course explores the fundamentals of film analysis and encourages students to embark on an exploration of the first half of our first century of movies. It teaches the basic elements of film form, as well as their use in films across the globe from the turn of the twentieth century through the start of World War II. Movements discussed include the silent comedy of Charles Chaplin, Buster Keaton, and Harold Lloyd, moody German Expressionism, the playful anarchy of Surrealism, the fundamentals of editing with Soviet Montage, the beauty of French poetic realism, the rule-breaking of Pre-Production Code cinema, the work of the young Alfred Hitchcock, and, of course, highlights of classical Hollywood filmmaking. Students must attend one screening weekly: either on Friday afternoon or Thursday evening. Lab fee: $50

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 14/45
  • PosTag(s): n/a

Introduction to Film Production
AS.061.150 (01)

This course introduces students to basic considerations of shooting 16mm film. Through lectures and practice, the course approaches the basics of light meter readings, basic camera operations and shot composition. The course also highlights specific readings from classical film theory to augment weekly shooting exercises. Each week students, working in groups, shoot film exercises, providing a general overview of film production. For the final project, each group shoots and edits (physical edits) a short (3-5 minutes) film on 16mm black and white reversal film stock. Lab fee: $200

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Closed
  • Seats Available: 0/10
  • PosTag(s): FILM-PROD

Special Topics: Writing About Film
AS.061.226 (01)

A workshop that focuses on writing critical and analytical essays about movies recent and classic. Students will write progressively longer and more complex essays– submitting working drafts and making revisions– and participate in critiques and discussions of one another’s writings. Fulfills Film and Media Studies expository writing requirement. Lab Fee: $50

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 1/12
  • PosTag(s): FILM-CRITST

Intermediate Digital Video Production: Experimental Forms
AS.061.234 (01)

This Production course focuses on key movements in both Experimental Film and Video Art. Production assignments will arise from: Structural Film, Performance Art, Lyrical Film, Psychedelic Video, and Experimental Ethnography. Students will explore how these movements developed outside (and at times in opposition to) the mainstream, and became integral to the aesthetics of contemporary art, film, and television. Students will think critically about the personal and societal function that video artwork serves, and gain insight into the history of Experimental Film. At the end of this course, students will have a more nuanced understanding of contemporary media art, and they will be more proficient in video editing and cinematography, which they can apply to future work on: commercials, music videos, webcasts, and feature films.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Closed
  • Seats Available: 3/8
  • PosTag(s): FILM-PROD

Documentary Photography in a Changing China
AS.310.301 (01)

This course aims to inspire students to explore the impacts, meanings, and explanations of social transformation in contemporary China, via the lens of documentary photography. The photographic images of selective topics will include the products of photojournalism and documentary photography, and several documentary films, by both Chinese and non-Chinese photographers. While one picture is worth thousand words, one picture may also provoke countless interpretations. Students are strongly encouraged to read broadly about different aspects of social transformations in contemporary China, and to select and curate their own subjects of photo images. The spirit of comparative study of documentary photography of China and other parts of world will be strongly encouraged. Active class participation is imperative. A small exhibition on the campus will be organized by the Spring semester. The course is designed for upper division undergraduates. Cross-listed with Sociology and International Studies (CP).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 10/20
  • PosTag(s): INST-CP

Cinema and Philosophy
AS.300.399 (01)

Do movies have anything to say about philosophical problems? Why is contemporary philosophy so interested in cinema? What are the most productive ways of bringing films and philosophy into conversation?

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 8/25
  • PosTag(s): FILM-CRITST

Lost & Found Film
AS.061.413 (01)

This course explores various elements of film production and filmic expression through a somewhat nebulous field typically described as lost films. Lost films (or as they are sometimes called, "orphan" films) can be generally described as films that have, for a variety of reasons, fallen out of the public view. They frequently come from educational, scientific, medical, or industrial films from the 1950s and 1960s. Using these films as source materials, lost film filmmakers explore and expose cultural conventions, visual icons, and historical value materials. Each week, students are responsible for re-editing sources found on an internet archive site. The assignments follow thematic concerns related to film editing. Students complete a final project (4-8 minutes). All editing for the course is accomplished with non-linear software, generally Adobe Premiere or Final Cut. This course fulfills the FMS advanced production requirement. $100 lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 0/9
  • PosTag(s): FILM-PROD

The Films of P. T. Anderson: Innovation and Influences
AS.061.409 (01)

This course will investigate Paul Thomas Anderson’s stylistic and narrative innovations, as well as cinematic influences such as Altman, Kubrick, Scorsese, and Welles. $50 Lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Waitlist Only
  • Seats Available: 0/12
  • PosTag(s): FILM-CRITST

Women in Popular Film and Television
AS.061.322 (01)

A survey of female beauty, villainy, comedy, and humanity in film and television from the silent era to the present. $50 lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): FILM-CRITST

Film Genres
AS.061.244 (01)

A survey of American genres: the Western, the Gangster Film, Science Fiction, Horror, Comedy, Melodrama, and others. Twice-weekly screenings. Short film responses and a final paper. $50 lab fee.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 2/9
  • PosTag(s): FILM-CRITST

Advanced Video Production: Influence and Anxiety
AS.061.309 (01)

This is an advanced production course focusing on artistic influence. Each student will be working with and around a filmmaker who greatly inspires and influences their work. The evolution of style will be considered. The work will include screenings, readings, and short projects all feeding into a final movie. This course fulfills the advanced production requirement. Students should have completed a Introductory and Intermediate Digital Video Production course prior to enrollment. $100 Lab fee.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Approval Required
  • Seats Available: 3/7
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (01)

Permission Required. Production track students complete an independent film project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 14/15
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (02)

Permission Required. Production track students complete an independent film project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 14/15
  • PosTag(s): FILM-PROD

Acting and Screenwriting for Narrative Productions
AS.061.348 (01)

This pre-production course brings together student filmmakers from Maryland Institute College of Art (MICA) and Johns Hopkins University (JHU), providing intensive training in the crucial aspects of preparing to shoot a successful narrative film. Students work with a professional screenwriter, allowing students to hone and improve their existing screenplays, practice the elements of writing for film, and learn how to do a script breakdown. Workshops on working with actors, taught by a professional actor, will teach students the ins and outs of casting and directing. Supplemental workshops will cover elements of pre-production such as budgets, production schedules, call sheets, and legal issues. Film screenings will train students to see films with an eye towards what constitutes exciting, innovative filmmaking. Students who wish to enroll in this course should have a prepared treatment, outline or script for a short film that they wish to develop during the semester. This course may be taken independently or as the prelude and prerequisite to Narrative Productions in the spring. Be advised that students who wish to enroll in the production course, Narrative Productions MUST have first completed Acting and Screenwriting for Narrative Productions.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 7/15
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (03)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 15/15
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (04)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 4/4
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (02)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 4/4
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (03)

Permission Required. Production track students complete an independent film project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 15/15
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (05)

Permission Required. Production track students complete an independent film project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Imagining Revolution and Utopia
AS.300.312 (01)

What form should revolution take, and what should society look like after the revolution? What would happen to the state, family, home, status of women, human interrelations, and everyday life? These questions consumed radicals in 19th century Russia and Europe, and their answers helped to shape the political culture of the 20th century. This course examines theories of revolution and utopia and responses to them in literature, art and film. Primary case study is Russia and the Soviet Union, with a comparative look at influential European works.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 12/18
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (04)

Permission Required. Production track students complete an independent film project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Italian Cinema: The classics, the Forgotten and the Emergent.
AS.211.222 (01)

This course traces the history of Italian cinema from the silent era to the new millennium, highlighting its main trends and genres, and reflecting on the major transformations modern and contemporary Italian society experienced over the twentieth and twentieth-first centuries. We shall examine iconic films such as Vittorio De Sica’s Bicycle Thieves, Federico Fellini’s La Dolce Vita, Michelangelo Antonioni’s L’Avventura, and Pier Paolo Pasolini’s Mamma Roma, that received international recognition and influenced other national, cinematic productions. We shall also look at the work of less famous, or independent filmmakers who received less critical attention. While this class takes an historical approach, it also includes a theoretical component and introduces students to the specificity of the cinematic language, examining films in relation to the mise-en-scène, frame composition, camera movements, editing, and sound. This class is taught in English.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Status: Open
  • Seats Available: 9/20
  • PosTag(s): GRLL-ENGL, GRLL-ITAL, INST-GLOBAL

Religious Themes in Film and Literature
AS.211.480 (01)

This course would be of interest to anyone who would like to learn about the intersection of religion and modern culture. At the center of the course will stand a close study of the representation of religious themes and their role in modern literature and cinema. The works which we will deal with are not considered religious and yet they include religious themes as part of their narrative, images, language or symbolic meaning. We will trace in various works from various countries and genre, themes such as: divine justice, providence, creation, revelation, the apocalypse, prophecy, sacrifice and religious devotion. We will also study the ways in which Biblical and New Testament stories and figures are represented in these works. The course will have a comparative nature with the aim of learning more about the differences between the literary and cinematic representations.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 1/16
  • PosTag(s): GRLL-ENGL

Documentary Photography
AS.371.303 (02)

In this course, we will explore different genres of documentary photography including: the fine art document, photojournalism, social documentary photography, the photo essay and photography of propaganda. Field trips offer opportunities to work in the field. Students will work on a semester-long photo-documentary project on a subject of their choice. Camera experience is a plus, but not a prerequisite. Students will be loaned a digital SLR for the semester.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 1/10
  • PosTag(s): n/a

Documentary Photography
AS.371.303 (01)

In this course, we will explore different genres of documentary photography including: the fine art document, photojournalism, social documentary photography, the photo essay and photography of propaganda. Field trips offer opportunities to work in the field. Students will work on a semester-long photo-documentary project on a subject of their choice. Camera experience is a plus, but not a prerequisite. Students will be loaned a digital SLR for the semester.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Closed
  • Seats Available: 1/10
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (01)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Status: Open
  • Seats Available: 3/4
  • PosTag(s): n/a

Course # (Section) Title Day/Times Instructor Room PosTag(s) Info
AS.061.211 (01)Intermediate Film Production: First Person/Third Person Essay FilmW 12:00PM - 2:20PMMann, JohnThe Centre 216FILM-PROD
AS.061.105 (01)Freshman Seminar: The Films of 1968T 11:00AM - 12:20PM, M 7:00PM - 9:30PM ScreeningsDeLibero, LindaThe Centre 216
AS.061.152 (01)Introduction to Digital Video ProductionTh 1:00PM - 3:50PMRoche, JimmyThe Centre 239FILM-PROD
AS.061.205 (01)Introduction to ScreenwritingF 3:00PM - 5:50PMRodgers, Adam FThe Centre 206FILM-SCRWRT
AS.061.156 (01)Lights, Camera, Action: On LocationW 4:30PM - 7:30PMBucknell, Lucy, Mann, JohnGilman 50FILM-CRITST
AS.061.221 (01)Special Topics: Producing the Independent FilmT 4:00PM - 6:20PM, W 7:30PM - 10:00PM ScreeningsPorterfield, MatthewThe Centre 216
AS.060.122 (01)Hollywood and the Culture IndustryM 4:00PM - 6:20PMHoffmann, JohnGilman 119
AS.061.145 (01)Introduction to Digital Video Production: Visual LanguageW 12:00PM - 2:20PM, T 7:30PM - 10:00PM ScreeningsYasinsky, Karen FILM-PROD
AS.061.140 (01)Introduction to Cinema, 1892-1941MW 12:00PM - 1:15PM, F 12:00PM - 2:30PM Screenings, Th 7:30PM - 10:00PM ScreeningsWard, Meredith CHodson 311
AS.061.150 (01)Introduction to Film ProductionT 1:00PM - 3:20PMPorterfield, MatthewThe Centre 216FILM-PROD
AS.061.226 (01)Special Topics: Writing About FilmT 10:00AM - 12:30PM, M 7:30PM - 9:30PM ScreeningsMason, LauraThe Centre 206FILM-CRITST
AS.061.234 (01)Intermediate Digital Video Production: Experimental FormsT 1:30PM - 3:50PMRoche, JimmyThe Centre 239FILM-PROD
AS.310.301 (01)Documentary Photography in a Changing ChinaW 1:30PM - 4:00PMHe, GaochaoMergenthaler 252INST-CP
AS.300.399 (01)Cinema and PhilosophyMW 3:00PM - 4:15PMMarrati, Paola, McCreary, Michael DGilman 208FILM-CRITST
AS.061.413 (01)Lost & Found FilmF 1:30PM - 3:50PMMann, JohnGilman 381FILM-PROD
AS.061.409 (01)The Films of P. T. Anderson: Innovation and InfluencesTh 3:00PM - 5:20PM, T 7:30PM - 10:00PM ScreeningsDeLibero, Linda FILM-CRITST
AS.061.322 (01)Women in Popular Film and TelevisionM 3:00PM - 5:20PM, S 7:00PM - 9:00PM Screenings, Th 7:30PM - 10:00PM ScreeningsBucknell, LucyHodson 315FILM-CRITST
AS.061.244 (01)Film GenresW 1:30PM - 3:50PM, M 7:30PM - 10:00PM Screenings, T 7:30PM - 10:00PM ScreeningsBucknell, LucySmokler Center LibraryFILM-CRITST
AS.061.309 (01)Advanced Video Production: Influence and AnxietyM 12:00PM - 2:20PMYasinsky, Karen FILM-PROD
AS.061.440 (01)Senior Capstone Project: ProductionMann, John FILM-PROD
AS.061.440 (02)Senior Capstone Project: ProductionPorterfield, Matthew FILM-PROD
AS.061.348 (01)Acting and Screenwriting for Narrative ProductionsM 4:00PM - 8:00PMBeller, KathleenThe Centre 206
AS.061.441 (03)Senior Capstone Project: Critical StudiesDeLibero, Linda 
AS.061.441 (04)Senior Capstone Project: Critical StudiesDeLibero, Linda 
AS.061.441 (02)Senior Capstone Project: Critical StudiesDeLibero, Linda 
AS.061.440 (03)Senior Capstone Project: ProductionWard, Meredith C FILM-PROD
AS.061.440 (05)Senior Capstone Project: ProductionDeLibero, Linda FILM-PROD
AS.300.312 (01)Imagining Revolution and UtopiaW 1:30PM - 4:00PMEakin Moss, AnneShaffer 3
AS.061.440 (04)Senior Capstone Project: ProductionRoche, Jimmy FILM-PROD
AS.211.222 (01)Italian Cinema: The classics, the Forgotten and the Emergent.MW 1:30PM - 2:45PMDi Bianco, LauraGilman 186GRLL-ENGL, GRLL-ITAL, INST-GLOBAL
AS.211.480 (01)Religious Themes in Film and LiteratureTTh 12:00PM - 1:15PMStahl, NetaHodson 216GRLL-ENGL
AS.371.303 (02)Documentary PhotographyF 2:00PM - 4:50PMBerger, Phyllis AMattin Center 204
AS.371.303 (01)Documentary PhotographyF 10:00AM - 12:50PMBerger, Phyllis AMattin Center 204
AS.061.441 (01)Senior Capstone Project: Critical StudiesWard, Meredith C