Courses

The courses listed below are provided by Student Information Services (SIS). This listing provides a snapshot of immediately available courses within this department and may not be complete. Course registration information can be found at https://sis.jhu.edu/classes/.

Please consult the online course catalog for cross-listed courses and full course information, including courses that are offered on a rotating basis.

Column one has the course number and section. Other columns show the course title, days offered, instructor's name, room number, if the course is cross-referenced with another program, and a option to view additional course information in a pop-up window.

Introduction to Cinema, 1892-1941
AS.061.140 (01)

This course explores the fundamentals of film analysis and encourages students to embark on an exploration of the first half of our first century of movies. It teaches the basic elements of film form, as well as their use in films across the globe from the turn of the twentieth century through the start of World War II. Movements discussed include the silent comedy of Charles Chaplin, Buster Keaton, and Harold Lloyd, moody German Expressionism, the playful anarchy of Surrealism, the fundamentals of editing with Soviet Montage, the beauty of French poetic realism, the rule-breaking of Pre-Production Code cinema, the work of the young Alfred Hitchcock, and, of course, highlights of classical Hollywood filmmaking. $50 lab fee.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: MW 12:00PM - 1:15PM, F 12:00PM - 2:30PM Screenings, W 7:30PM - 10:00PM Screenings
  • Instructor: Ward, Meredith C
  • Room:  
  • Status: Reserved Open
  • Seats Available: 34/45
  • PosTag(s): n/a

Introduction to Digital Video Production
AS.061.152 (01)

This course introduces students to the world of digital filmmaking. Through screenings, production assignments, and in-class labs, students will develop proficiency in digital cameras, sound recording devices, and software. Students will work individually and in groups to produce several video projects. For their final projects students will pitch an idea and develop a more complex film. Lab fee: $100

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 12:30PM - 3:20PM
  • Instructor: Roche, Jimmy
  • Room:  
  • Status: Approval Required
  • Seats Available: 3/10
  • PosTag(s): FILM-PROD

Introduction to Digital Video Production: Visual Language
AS.061.145 (01)

This course is a study of the visual language used to create a moving picture. Through screenings and discussion of films, videos, and related readings, students will develop a visual critical facility and will demonstrate this facility in a few response papers to screenings and video projects. The course will focus on image construction, including composition, framing, movement inside the frame and use of light as well as use of sound. Students will learn to be attentive to rhythm and tempo in picture editing and sound. In-class video assignments included, in which students will work in small groups of three. Lab fee: $100

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: W 3:30PM - 5:50PM, T 7:30PM - 10:00PM Screenings
  • Instructor: Yasinsky, Karen
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/10
  • PosTag(s): FILM-PROD

Lights, Camera, Action: Bogart
AS.061.154 (01)

This mini-course will offer an introduction to the basics of film analysis through a survey of films starring the legendary Humphrey Bogart. Short weekly written responses. No prior experience in film studies required; non-majors welcome. This one-credit course will meet September 3, 10, 17, 24, and will be graded Pass/Fail. Due to the limited number of meetings, perfect attendance is required.

  • Credits: 1.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 5:00PM - 8:00PM
  • Instructor: Bucknell, Lucy
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/45
  • PosTag(s): n/a

Intermediate Film Production: Personal Essay Film
AS.061.202 (01)

In this course students will consider variations of the personal essay film, wherein filmmakers explore their own experiences, both real and imagined. These films constitute dialogues between filmmaker and world using subjective approaches, including but not limited to first person narration. Students will make a short (4-6 minutes) 16mm film from original and possibly archival footage; their own filmic essays based upon personal experiences. We will look at the works of several essay filmmakers including Ross McElwee, Jean Luc Godard, Chris Marker, and Su Friedrich.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: F 11:00AM - 1:20PM
  • Instructor: Mann, John
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/10
  • PosTag(s): FILM-PROD

Modernist Literature and Film
AS.061.218 (01)

This course explores the exchange of ideas and techniques between literary modernism and modernist cinema: how Virginia Woolf’s writings on the cinema connect with her use of shifting points-of-view as literary devices, how James Joyce influenced the Soviet filmmaker Sergei Eisenstein and how Eisenstein in turn influenced the American novelist John Dos Passos, how Franz Kafka's frequent trips to the movies reflect in his fiction, and how artists ventured broadly to develop experimental languages for expressing the new speeds and scales of modern life. Additional texts will be drawn from novels, essays, poems, and films from Ezra Pound, T. S. Eliot, Charlie Chaplin, Claude McKay, Zora Neale Hurston, Anita Loos, Andrei Bely, Dziga Vertov, Gertrude Stein, Louis Aragon, and René Clair. The course fulfills the writing intensive requirement and involves a series of essays on literature and cinema from a critical perspective.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Stine, Kyle J.
  • Room: Maryland 201
  • Status: Open
  • Seats Available: 1/15
  • PosTag(s): FILM-CRITST

Special Topics: Writing About Film
AS.061.226 (01)

A workshop that focuses on writing critical and analytical essays about movies recent and classic. Students will write progressively longer and more complex essays– submitting working drafts and making revisions– and participate in critiques and discussions of one another’s writings. Fulfills Film and Media Studies expository writing requirement. Lab Fee: $50

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: T 2:00PM - 4:20PM, M 7:30PM - 10:00PM Screenings
  • Instructor: Mason, Laura
  • Room:  
  • Status: Open
  • Seats Available: 2/12
  • PosTag(s): FILM-CRITST

Cultural History of the Internet
AS.061.267 (01)

This course offers an introduction to internet studies through the many ways digital culture has touched our everyday lives: memes, blogs, gaming, social networking, instant messaging, and more. From its origins in connecting scientific researchers to its present form as a multi-device, multi-platform web connecting us to everything from each other to our smart homes, the internet has proven that nearly our entire social world can be processed as data and linked up. While this has meant greater connection, it has also raised questions about how we learn, communicate, behave, and organize. The internet has long promised new avenues of personal expression, but it has also brought with it the quandaries of echo chambers, information silos, and disinformation campaigns. In response to these complicating effects, the course offers an opportunity for students to develop the critical mapping tools necessary to orient oneself within this vast cultural network and its rapid historical unfolding.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: M 2:00PM - 4:20PM
  • Instructor: Stine, Kyle J.
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 1/30
  • PosTag(s): FILM-CRITST

Characters for the Screenplay
AS.061.316 (01)

A workshop devoted to creating complex characters for the screen. Students will examine memorable film characters from the silent era to the present, with attention to how these characters are revealed through both the drama and the mise en scene. Weekly screenings. Short critical and creative written exercises and a longer, creative final project. Recommended Course Background: AS.061.148 OR AS.061.205 OR AS.061.265

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 3:00PM - 5:20PM, M 7:30PM - 10:00PM Screenings
  • Instructor: Bucknell, Lucy
  • Room:  
  • Status: Open
  • Seats Available: 4/9
  • PosTag(s): FILM-SCRWRT

Left-Handed Endeavors: Crime Film
AS.061.329 (01)

A survey of primarily American, 20th century, popular crime film: hits, heists, cons, organized crime, crimes of passion, and other "left-handed form[s] of human endeavor." Oral presentation, short critical response (5 pp.), essay (12 pp.).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 3:00PM - 5:20PM, S 7:00PM - 9:30PM Screenings, Th 7:30PM - 10:00PM Screenings
  • Instructor: Bucknell, Lucy
  • Room:  
  • Status: Open
  • Seats Available: 3/15
  • PosTag(s): FILM-CRITST

Senior Capstone Project: Production
AS.061.440 (06)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Bucknell, Lucy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (03)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Ward, Meredith C
  • Room:  
  • Status: Approval Required
  • Seats Available: 15/15
  • PosTag(s): FILM-PROD

Lost & Found Film
AS.061.413 (01)

This course explores various elements of film production and filmic expression through a somewhat nebulous field typically described as lost films. Lost films (or as they are sometimes called, "orphan" films) can be generally described as films that have, for a variety of reasons, fallen out of the public view. They frequently come from educational, scientific, medical, or industrial films from the 1950s and 1960s. Using these films as source materials, lost film filmmakers explore and expose cultural conventions, visual icons, and historical value materials. Each week, students are responsible for re-editing sources found on an internet archive site. The assignments follow thematic concerns related to film editing. Students complete a final project (4-8 minutes). All editing for the course is accomplished with non-linear software, generally Adobe Premiere or Final Cut.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 12:00PM - 2:20PM
  • Instructor: Mann, John
  • Room:  
  • Status: Approval Required
  • Seats Available: 3/10
  • PosTag(s): n/a

Advanced Screenwriting
AS.061.404 (01)

Intensive workshop course where students will write a first draft of a feature-length screenplay. Classes will focus on the specific challenges of the students’ works-in-progress, with an emphasis on developing a story idea that is suitable for a feature, and the craft to see it through to completion. Particular emphasis will be placed on the feature screenwriter’s central challenge: creating enough of a structure in the early writing stages to keep the screenplay on track, while remaining open to new ideas for scenes and sequences that inevitably arise as the characters come to life. Select professional screenplays will be read and analyzed — and clips from select films viewed—to explore what works well on the page, and how it translates to working well onscreen. Students will aim to have a solid and workable first draft at the end of the semester, at which point avenues for further revision may be discussed. Throughout the course, Instructor will also devote a portion of class time to discuss the business of screenwriting. Students will be required to purchase a license for Final Draft screenwriting software for $99.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: F 1:00PM - 3:50PM
  • Instructor: Rodgers, Adam F
  • Room:  
  • Status: Approval Required
  • Seats Available: 0/8
  • PosTag(s): FILM-SCRWRT

Senior Capstone Project: Production
AS.061.440 (01)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Mann, John
  • Room:  
  • Status: Approval Required
  • Seats Available: 13/15
  • PosTag(s): FILM-PROD

Animating Cartoons
AS.061.406 (01)

Animating Cartoons: This class will focus on character animation. Through weekly screenings of cartoons and animations and reading comics, the form will be analyzed in class discussions and short papers. Students will create their own hand drawn character and create an extensive story board for an animation involving their character. A scene will be chosen and a short hand-drawn animation from the storyboard will be created.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 1:30PM - 3:50PM
  • Instructor: Yasinsky, Karen
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/9
  • PosTag(s): FILM-CRITST

Senior Capstone Project: Production
AS.061.440 (04)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Roche, Jimmy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Production
AS.061.440 (05)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: DeLibero, Linda
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Critical Studies
AS.061.441 (05)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Rodgers, Adam F
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (06)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Yasinsky, Karen
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (03)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Bucknell, Lucy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (07)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Mann, John
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

The Cinema of Revolution
AS.300.343 (01)

This course examines global political revolutions through cinema and the ways in which cinema helped to make political revolutions. Early cinema was intimately intertwined with the Russian revolution, and Russian revolutionary cinema had a profound impact on the ways in which media was used for revolutionary purposes through the 20th century and around the world. Students will be introduced to films from a number of different countries, and the history and context of their production and reception. They will also learn methods of film analysis and produce their own video essay.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: None 3:00PM - 5:30PM, T 3:00PM - 5:30PM
  • Instructor: Eakin Moss, Anne
  • Room: Shaffer 301
  • Status: Open
  • Seats Available: 14/15
  • PosTag(s): INST-GLOBAL

Representing the Holocaust
AS.211.333 (01)

How has the Holocaust been represented in literature and film? Are there special challenges posed by genocide to the traditions of visual and literary representation? Where does the Holocaust fit in to the array of concerns that the visual arts and literature express? And where do art and literature fit in to the commemoration of communal tragedy and the working through of individual trauma entailed by thinking about and representing the Holocaust? These questions will guide our consideration of a range of texts — nonfiction, novels, poetry — in Yiddish, German, English, French and other languages (including works by Primo Levi and Isaac Bashevis Singer), as well as films from French documentaries to Hollywood blockbusters (including films by Alain Resnais, Claude Lanzmann, and Steven Spielberg). All readings in English.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 1:30PM - 4:00PM
  • Instructor: Spinner, Samuel Jacob
  • Room:  
  • Status: Open
  • Seats Available: 3/15
  • PosTag(s): INST-GLOBAL, GRLL-ENGL

Religious Themes in Film and Literature
AS.211.480 (01)

This course would be of interest to anyone who would like to learn about the intersection of religion and modern culture. At the center of the course will stand a close study of the representation of religious themes and their role in modern literature and cinema. The works which we will deal with are not considered religious and yet they include religious themes as part of their narrative, images, language or symbolic meaning. We will trace in various works from various countries and genre, themes such as: divine justice, providence, creation, revelation, the apocalypse, prophecy, sacrifice and religious devotion. We will also study the ways in which Biblical and New Testament stories and figures are represented in these works. The course will have a comparative nature with the aim of learning more about the differences between the literary and cinematic representations.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: TTh 10:30AM - 11:45AM
  • Instructor: Stahl, Neta
  • Room:  
  • Status: Open
  • Seats Available: 9/15
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (09)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Yasinsky, Karen
  • Room:  
  • Status: Approval Required
  • Seats Available: 4/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Critical Studies
AS.061.441 (02)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: DeLibero, Linda
  • Room:  
  • Status: Approval Required
  • Seats Available: 4/4
  • PosTag(s): n/a

Senior Capstone Project: Critical Studies
AS.061.441 (01)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Ward, Meredith C
  • Room:  
  • Status: Approval Required
  • Seats Available: 4/4
  • PosTag(s): n/a

Senior Capstone Project: Production
AS.061.440 (07)

Permission required. Production track students complete an independent project. Should must have completed one advanced level FMS production course (POS tag FILM-PROD).

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Rodgers, Adam F
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): FILM-PROD

Senior Capstone Project: Critical Studies
AS.061.441 (08)

Critical studies track students complete an independent research project.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times:
  • Instructor: Roche, Jimmy
  • Room:  
  • Status: Approval Required
  • Seats Available: 5/5
  • PosTag(s): n/a

Introduction to Screenwriting
AS.061.205 (01)

In this course we will explore the basic principles of visual storytelling in narrative film as they apply to the design, creation, and revision of the screenplay. Specifically, we will focus on learning the craft of screenwriting — strategies, processes, and philosophies that writers can develop, practice, and rely upon as they progress through a series of screenwriting exercises and write three short screenplays, which will be critiqued in-class during weekly table reads and with the Instructor (one-on-one) during office hours. Select professional screenplays will be read and analyzed — and clips from select films viewed — to further explore what works well on the page, and how it translates to working well onscreen. Students will be required to purchase a license for Final Draft screenwriting software for $99.

  • Credits: 3.00
  • Level: Lower Level Undergraduate
  • Days/Times: Th 3:00PM - 5:50PM
  • Instructor: Rodgers, Adam F
  • Room:  
  • Status: Approval Required
  • Seats Available: 1/12
  • PosTag(s): FILM-SCRWRT

Persistence of Vision: Time, Memory and the Past in Recent Global Cinema
AS.061.346 (01)

This course will examine the ways film represents, remakes, and re-visions cultural and personal memory in a range of recent national and international films, including those by Chantal Akerman, Pedro Almdódovar, Lee Chang-dong, Claire Denis, Joanna Hogg, Hirokazu Kore-eda, Terrence Malick, Joshua Oppenheimer, Christian Petzold, Sarah Polley, Hong Sang Soo, and Jia Zhangke.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: Th 1:00PM - 3:20PM, T 7:30PM - 10:00PM Screenings
  • Instructor: DeLibero, Linda
  • Room:  
  • Status: Waitlist Only
  • Seats Available: 0/15
  • PosTag(s): FILM-CRITST

Video Art
MI.061.307 (01)

Artists have been using video since 1965 when Sony released its first portable video camera. Artists have used video as sculpture, produced single-channel works, and integrated it into their performances. This course explores video as a fine arts medium. Students produce a number of works that explore video's rich possibilities.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: W 8:30AM - 2:00PM
  • Instructor: Staff
  • Room:  
  • Status: Approval Required
  • Seats Available: 2/2
  • PosTag(s): n/a

Documentary Photography
AS.371.303 (01)

In this course, we will explore different genres of documentary photography including: the fine art document, photojournalism, social documentary photography, the photo essay and photography of propaganda. Field trips offer opportunities to explore Baltimore neighborhoods such as Waverly, Greenmount Avenue, and Baltimore’s old Chinatown. Students will work on a semester-long photo-documentary project on a subject of their choice. Camera experience is a plus, but not a prerequisite. Digital SLRs are available on loan for the semester. Attendance at first class is mandatory. Approval in this course will be considered after enrollment in SIS.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: M 2:00PM - 4:50PM
  • Instructor: Staff
  • Room: Mattin Center 204
  • Status: Reserved Open
  • Seats Available: 2/10
  • PosTag(s): n/a

Cinema and Philosophy
AS.300.399 (01)

Do movies have anything to say about philosophical problems? Why is contemporary philosophy so interested in cinema? What are the most productive ways of bringing films and philosophy into conversation?

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: MW 3:00PM - 4:15PM
  • Instructor: Marrati, Paola
  • Room:  
  • Status: Open
  • Seats Available: 18/25
  • PosTag(s): n/a

After Effects: Intermediate and Advanced Technique
AS.061.304 (01)

This hybrid After Effects course will offer two simultaneous tracks of study. One for students using After Effects for the first time, the other for intermediate After Effects users who are looking to master the program. The class will meet to learn new techniques and to discuss each other’s work and the instructor will regularly introduce exciting new material applicable for all skill levels. Students will have the option to create a motion graphics reel for their final project, a valuable asset when applying for any post-production job. The coursework will be supported with robust video tutorials, weekly group instruction, and critique as well as periodic individual meetings with the instructor. Additionally, the entire class will gather for several Zoom sessions with professionals working in the industry.

  • Credits: 3.00
  • Level: Upper Level Undergraduate
  • Days/Times: T 10:30AM - 12:50PM
  • Instructor: Roche, Jimmy
  • Room:  
  • Status: Approval Required
  • Seats Available: 1/10
  • PosTag(s): FILM-PROD

Course # (Section) Title Day/Times Instructor Room PosTag(s) Info
AS.061.140 (01)Introduction to Cinema, 1892-1941MW 12:00PM - 1:15PM, F 12:00PM - 2:30PM Screenings, W 7:30PM - 10:00PM ScreeningsWard, Meredith C 
AS.061.152 (01)Introduction to Digital Video ProductionTh 12:30PM - 3:20PMRoche, Jimmy FILM-PROD
AS.061.145 (01)Introduction to Digital Video Production: Visual LanguageW 3:30PM - 5:50PM, T 7:30PM - 10:00PM ScreeningsYasinsky, Karen FILM-PROD
AS.061.154 (01)Lights, Camera, Action: BogartTh 5:00PM - 8:00PMBucknell, Lucy 
AS.061.202 (01)Intermediate Film Production: Personal Essay FilmF 11:00AM - 1:20PMMann, John FILM-PROD
AS.061.218 (01)Modernist Literature and FilmTTh 10:30AM - 11:45AMStine, Kyle J.Maryland 201FILM-CRITST
AS.061.226 (01)Special Topics: Writing About FilmT 2:00PM - 4:20PM, M 7:30PM - 10:00PM ScreeningsMason, Laura FILM-CRITST
AS.061.267 (01)Cultural History of the InternetM 2:00PM - 4:20PMStine, Kyle J. FILM-CRITST
AS.061.316 (01)Characters for the ScreenplayT 3:00PM - 5:20PM, M 7:30PM - 10:00PM ScreeningsBucknell, Lucy FILM-SCRWRT
AS.061.329 (01)Left-Handed Endeavors: Crime FilmM 3:00PM - 5:20PM, S 7:00PM - 9:30PM Screenings, Th 7:30PM - 10:00PM ScreeningsBucknell, Lucy FILM-CRITST
AS.061.440 (06)Senior Capstone Project: ProductionBucknell, Lucy FILM-PROD
AS.061.440 (03)Senior Capstone Project: ProductionWard, Meredith C FILM-PROD
AS.061.413 (01)Lost & Found FilmW 12:00PM - 2:20PMMann, John 
AS.061.404 (01)Advanced ScreenwritingF 1:00PM - 3:50PMRodgers, Adam F FILM-SCRWRT
AS.061.440 (01)Senior Capstone Project: ProductionMann, John FILM-PROD
AS.061.406 (01)Animating CartoonsM 1:30PM - 3:50PMYasinsky, Karen FILM-CRITST
AS.061.440 (04)Senior Capstone Project: ProductionRoche, Jimmy FILM-PROD
AS.061.440 (05)Senior Capstone Project: ProductionDeLibero, Linda FILM-PROD
AS.061.441 (05)Senior Capstone Project: Critical StudiesRodgers, Adam F 
AS.061.441 (06)Senior Capstone Project: Critical StudiesYasinsky, Karen 
AS.061.441 (03)Senior Capstone Project: Critical StudiesBucknell, Lucy 
AS.061.441 (07)Senior Capstone Project: Critical StudiesMann, John 
AS.300.343 (01)The Cinema of RevolutionNone 3:00PM - 5:30PM, T 3:00PM - 5:30PMEakin Moss, AnneShaffer 301INST-GLOBAL
AS.211.333 (01)Representing the HolocaustW 1:30PM - 4:00PMSpinner, Samuel Jacob INST-GLOBAL, GRLL-ENGL
AS.211.480 (01)Religious Themes in Film and LiteratureTTh 10:30AM - 11:45AMStahl, Neta 
AS.061.440 (09)Senior Capstone Project: ProductionYasinsky, Karen FILM-PROD
AS.061.441 (02)Senior Capstone Project: Critical StudiesDeLibero, Linda 
AS.061.441 (01)Senior Capstone Project: Critical StudiesWard, Meredith C 
AS.061.440 (07)Senior Capstone Project: ProductionRodgers, Adam F FILM-PROD
AS.061.441 (08)Senior Capstone Project: Critical StudiesRoche, Jimmy 
AS.061.205 (01)Introduction to ScreenwritingTh 3:00PM - 5:50PMRodgers, Adam F FILM-SCRWRT
AS.061.346 (01)Persistence of Vision: Time, Memory and the Past in Recent Global CinemaTh 1:00PM - 3:20PM, T 7:30PM - 10:00PM ScreeningsDeLibero, Linda FILM-CRITST
MI.061.307 (01)Video ArtW 8:30AM - 2:00PMStaff 
AS.371.303 (01)Documentary PhotographyM 2:00PM - 4:50PMStaffMattin Center 204
AS.300.399 (01)Cinema and PhilosophyMW 3:00PM - 4:15PMMarrati, Paola 
AS.061.304 (01)After Effects: Intermediate and Advanced TechniqueT 10:30AM - 12:50PMRoche, Jimmy FILM-PROD