Demonstrating the pervasive presence of God in modern Hebrew literature, this book explores the qualities that twentieth-century Hebrew writers attributed to the divine, and examines their functions against the simplistic […]
While existentialism has long been associated with Parisian Left Bank philosophers sipping cocktails in smoke-filled cafés, or with a brooding, angst-filled outlook on life, Gosetti-Ferencei shows how vital and heterogeneous […]
A history of the figure of the bibliomaniac or excessive book-lover. The _bibliomane_ was condemned until the 19th century, at which point it met with veneration in a literary temple of which Flaubert, Stendhal, Nerval, Barbey d’Aurevilly, and Anatole France were so many pillars.
This edition brings to light the authentic memoir of protest written by Toussaint Louverture, the first black memorialist in French history. Daniel Desormeaux sheds light on the political and ideological dimension of these memoirs which constitute a historical document unique in the genre.
Alexandre Dumas admired from afar the Pantheon and the illustrious dead who had made their way there. Like Chateaubriand, who lamented the fate of the de-pantheonized Mirabeau, he conceived of what could be his glorious tomb: his work itself. This book retraces the posthumous thought that Dumas entertained around his work.
Authors’ lives expose the real and imaginary relationships forged between their private inner being and their literary production. Contributors to this volume aim to question the literary work in its relation with its author’s life: what knowledge does biography create? What choices does its practice require?
Sex Changes with Kleist analyzes how the dramatist and poet Heinrich von Kleist (1777–1811) responded to a change in the conception of sex and gender that occurred between 1790 and […]
Imagination allows us to step out of the ordinary but also to transform it through our sense of wonder and play, artistic inspiration and innovation, or the eureka moment of […]
Decades before the emergence of a French self-styled ‘hood’ film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they […]