Alexandre Dumas admired from afar the Pantheon and the illustrious dead who had made their way there. Like Chateaubriand, who lamented the fate of the de-pantheonized Mirabeau, he conceived of what could be his glorious tomb: his work itself. This book retraces the posthumous thought that Dumas entertained around his work.
Authors’ lives expose the real and imaginary relationships forged between their private inner being and their literary production. Contributors to this volume aim to question the literary work in its relation with its author’s life: what knowledge does biography create? What choices does its practice require?
Sex Changes with Kleist analyzes how the dramatist and poet Heinrich von Kleist (1777–1811) responded to a change in the conception of sex and gender that occurred between 1790 and […]
Forgery is an eternal problem. In literature and the writing of history, suspiciously attributed texts can be uniquely revealing when subjected to a nuanced critique. False and spurious writings impinge […]
Imagination allows us to step out of the ordinary but also to transform it through our sense of wonder and play, artistic inspiration and innovation, or the eureka moment of […]
Decades before the emergence of a French self-styled ‘hood’ film around 1995, French filmmakers looked beyond the gates of the capital for inspiration and content. In the Paris suburbs they […]
We are living in a time of inflationary media. While technological change has periodically altered and advanced the ways humans process and transmit knowledge, for the last 100 years the […]
In the early 17th century, a crippled, graying, almost toothless veteran of Spain’s wars against the Ottoman Empire published a book. It was the story of a poor nobleman, his brain […]
L’ensemble de La Comédie Humaine est le résultat d’un immense travail de révisions et de transformations s’étalant de 1829 à 1855. De façon nouvelle et diversifiée, cet ouvrage aborde ce […]